Category Archives: Exhibitions

An age of lawyers and literature

Flyer The Age of LawyersThe power of words seduces every honest writer to do his or her very best to write in a unique way to convey what you want to say and to add to the expressive qualities of language and literature. Only seldom people succeed in achieving immortal fame and enduring influence on a living language. In this post I want to look at an author who conjured up scenes of unforgettable power using the language of his time in ways unheard of. In fact his works were in some periods considered too rough and therefore edited and censored. Together with the English of the Book of Common Prayer and the King James Version of the Bible the works of William Shakespeare still have immeasurable influence on the English language and culture.

Shakespeare’s works have the power to stir our emotions and imagination. Until today his portraits of English kings and their courts influence our views of English history and royal circles. No doubt this year’s commemoration of Shakespeare’s death on April 23, 1616 will bring a flood of activities and events. A few weeks ahead of the central day there is still a chance to look here in a more sober setting at some of the digital initiatives which try to shed new light on one of the greatest people in world literature. At least one of them, an exhibition at the Folger Shakespeare Library, Washington, D.C., focused on lawyers in Shakespeare’s age, but it comes into better relief surrounded by other projects of The Folger, and by a selection of recently launched online Shakespeare projects and digital projects dealing with Early Modern letters.

Surrounded by lawyers

Even without the Shakespeare connection the exhibition Age of Lawyers: The Roots of American Law in Shakespeare’s Britain is really interesting. The Folger showed the exhibition from September 4, 2015 until January 4, 2016, but luckily there is an accompanying virtual exhibit. The concept for the exhibition was developed in cooperation with the Georgetown Law Library, a library with early printed legal books in its own digital collection. There are four main sections, Legal LivesThe Great Courts, Law and Communities and The King and the Law. In contrast to usual virtual exhibitions it has not been placed in a clearly defined corner or subdomain of the website, but as a seemingly unconnected item on the Folgerpedia, the website of The Folger for general information. More remarkable is the absence of illustrations. It took me some time before reaching the list of exhibitions at this library’s website. You can only applaud the inclusion of transcriptions of several exhibition items, but they yet have to appear for the fourth section. The very heart of the exhibition is an extended introduction to the materials put on show, to be read side-by-side with the list of items.

The four sections of Age of Lawyers give us a good idea of the world of Elizabethan lawyers. The first section looks at legal education, the Inns of Courts and the various legal professions. The various royal courts are the core of the second section. In the third section legal practice comes into view, its impact on daily life and local communities. The last section shows a great variety of subjects around the central theme of royal power, from major figures such as Francis Bacon and Edward Coke to subjects as Magna Charta and the influence of English developments on early American law and politics, with for example attention to Thomas Jefferson. The wealth of materials put on show in this virtual exhibition is impressive, and it is even more interesting to see how many of them come from the holdings of the Folger Shakespeare Library. In my opinion this virtual exhibition gives you a very valuable introduction to the legal history of England in the decades around 1600.

Logo Shakespeare Documented

The Folger is one of the institutions contributing to a major virtual exhibition of documents from and about Shakespeare, Shakespeare Documented. Documents, archival records and manuscripts from such institutions the National Archives (Kew), the Bodleian Library, the British Library and the Shakespeare Birthplace Trust – and from a host of other institutions worldwide – make this exhibition into a real gem. It amounts to a digital collection divided in four main categories: playwright, actor and shareholder; poet, family, legal and property records, and his seventeenth-century afterlife. With 186 of the nearly 500 items the category connecting to legal history is the second largest category of this exhibition. More documents and transcriptions will be added this year. You can search at will using a free text search or preset filters. Shakespeare’s involvement as a shareholder is mostly shown in the conflict about The Globe. It is really not feasible to pick here even among the highlights an absolute must. For me this virtual exhibit is a bridge between only reading Shakespeare’s works or searching your way among the vast literature on him. It also is in a very real sense the connection and life thread between the major projects presented here.

Close to the sources

The Folger Shakespeare Library offers more things online worth exploring. Among its latest projects is Shakespeare’s World, a crowdsourcing project of The Folger, the Zooniverse project for crowdsourcing and the Oxford English Dictionary (OED). One of the objectives of this project is finding words that so far have not been included in the OED. People volunteering to cooperate can choose a genre to transcribe. At first the choice between recipes and letters seems a thing to wonder about, but recipes have not been among the resources used by the founders of the OED. Letters can show words less often used, new uses of words, and, perhaps more importantly for the aim of this post, they might show the impact of literary imagination. An apparent drawback is the lack of an overview of senders and recipients.

Private Libraries in Renaissance England (PLRE) is the Folger’s online adaptation of the printed version of this reference work. It is really a database that helps you to execute queries which you will want to check in the original edition. You can get a closer view of books from this period by looking at the section on bindings of The Folger’s LUNA image database.

Logo EMMO - EWaerly Modern Manuscripts Online

Another project is in the development phase. As for now Early Modern Manuscripts Online (EMMO) has not yet resulted in a separate website. Since 2014 a lot of workshops and events has been organized. You will find the links section particularly useful, with for example an overview by The Folger of links concerning Early Modern English palaeography and digitized manuscripts.

fdtlogo

For my brief introductions to some of The Folger’s own digital projects I use the overview in the Folgerpedia. Personally I would prefer to have this overview on the main website of The Folger, but I suppose we are dealing here with a kind of planetary system around it. The Folger has also prepared a dedicated website for Shakespeare’s works, Folger Digital Texts. For quick reference and easy access this collection is very welcome, even though scholars might want to have a version under PhiloLogic or similar linguistic tools. For this you can turn to Early Modern Print, a project of the Washington University, St. Louis, MO, and the Early English Books Online-Text Creative Partnership. You will find here tools to gain insights into changes in word frequencies, KWIC (Key Words In Context) and a N-gram browser. The very example of KWIC in this project shows results for the word slander, which might inspire legal historians, too, to have a look at it. This overview at The Folger of digital projects and tools, even the subscription-only resources most times only accessible at research libraries, is actually a splendid nutshell guide to the study of Renaissance England.

Lives and letters around Shakespeare

Banner Six Degrees of Francis Bacon

If lawyers played such a large role in Shakespeare’s life you will probably want to know more exactly which lawyers, and more generally which people were closest to Shakespeare. On my journeys around the web I found recently the website Six Degrees of Francis Bacon. The aim of this Anglo-American project is collecting and visualizing data which show you the Early Modern social network. After registration you can download data, and also add new data. Everyone can look at the visualizations or relationships. Bacon (1561-1626) was originally also trained as a lawyer. Even if a similar website could already exist for Shakespeare it becomes quickly clear that you can immensely benefit from using this website when researching Shakespeare’s entourage, especially when you fortify your results with the letters of the project for Shakespeare’s World and the virtual exhibition Shakespeare Documented.

Choosing Bacon is just an example of the many projects dealing with English letters and correspondents. The most generous portal to them is certainly Cultures of Knowledge: Networking the Republic of Letters, 1550-1750 (University College London). Perhaps its main offspring, and certainly one closely connected to the theme of this post, is the project Early Modern Letters Online under the aegis of the Bodleian Library, Oxford, where you can search directly in letters written in many countries. Some of the resources at Cultures of Knowledge stem from the Lives and Letters project developed and led by the late Lisa Jardine. Among its projects is the edition of the correspondence of Francis Bacon, the main resource behind Six Degrees of Francis Bacon. For those wanting to look at more online projects dealing with letters the overview at Digitizing Correspondence should quench a lot of your thirst, and you might also contemplate the examples of interfaces for these projects. If you add to this wealth the links page at Cultures of Knowledge you can start to investigate for yourself the epistolary culture of Early Modern Europe. Going back to the subject of this post it is the project for the letters of Edmund Spenser which comes close to the sphere of action of William Shakespeare.

Celebrating Shakespeare

How can one avoid the obvious things around Shakespeare and have a fresh look at him? The Folger has created its own list of quatercentenary online projects. When preparing this post I thought about the manifold activities of another American research library, The Newberry in Chicago. Among nearly fifty online educational resources you might have a look at three virtual exhibitions concerning William Shakespeare, Marriage and Family in Shakespeare’s England, Shakespeare’s Romans: Politics and Ethics in Julius Caesar and Coriolanus, and Shakespeare’s The Tempest and the Utopias of the European Renaissance, the last item providing me with a connection to my recent blog post about More’s Utopia.

Instead of going to one of the sections of library websites about their copy of the First Folio, an object for which the label Holy Grail seems almost too simple, it is possible to have a look at digitized First Quartos and to compare various editions. They bring you closer to the times of Shakespeare himself than the posthumous First Folio. However, if you had rather stay with a time-tested resource, there is all reason to visit the section Discover Literature: Shakespeare of the British Library’s website with for example an article by Liza Picard on crime and punishment in Elizabethan England. Andrew Dickson looks at the only existing literary manuscript with Shakespeare’s handwriting, The Booke of Sir Thomas More. The play contains a plea for tolerance towards immigrants, and I cannot help feeling touched by the poignancy of this subject. More was a man for all seasons, and Shakespeare is indeed a writer for all times! The play seems to have been never performed during his life. In the project England’s immigrants 1350-1550: Resident Aliens in the Late Middle Ages curated by the universities of Sheffield (HRI Online) and York in cooperation with the National Archives at Kew you can find out about 64,000 persons coming to England during two centuries.

Drawing of The Swan. London, by Buchelius

Drawing of The Swan theatre, London, 1596 – Aernout van Buchell, Adversaria – Utrecht, UB, ms. 842, fol. 132r – image: http://objects.library.uu.nl

The customary Dutch view shown here has in fact figured here in 2013, but without the famous illustration. The image has been used in countless printed publications. Aernout van Buchell (Buchelius) (1565-1646), an antiquarian scholar from Utrecht, copied a drawing around 1596 of The Swan theatre in London (Utrecht, UB, ms. 842, fol. 132 r). In my earlier post where I wrote about Buchelius you can find the links to more digitized manuscripts of this author.

Of course much more can be said, and has already been said this year. Today I looked briefly at the fine aggregator of Early Modern blogs created by Sharon Howard. If you follow her tag for Shakespeare at Early Modern Commons you will find already dozens of celebratory articles. Hopefully you will appreciate the urgent need to restrict myself here to only a few dozen projects. A search for Shakespeare at Early Modern Resources brings us ten online resources mentioning him. No doubt Sharon Howard will soon add a number of the new Shakespeare projects to Early Modern Resources.

However large and inviting the temptation to end here with one of the countless proverbial words of Shakespeare I had rather invite you to look yourself again and again at this writer whose works breathed life into the English language. His imagination both as a playwright and poet is at many turns so powerful that its glow will last as long people care for the right words which do justice to the humanity living in his works.

Images and the road to the French Revolution

After all attention given to texts from and concerning the French Revolution it is now time to turn to resources for digitized images from the eighteenth century. Texts about tolerance and its counterpart intolerance create – deliberately or inadvertently – images of targets, and also of cherished values and attitudes. Take Voltaire: he was a playwright, and apart from his obvious rhetoric talents we should acknowledge his ability to present matters in a dramatic way, to stage stories and bring them vividly before the eyes of the mind and into the hearts of his public. How to find French caricatures from his time, and what did Voltaire think himself about them? This post continues the series starting with Laws and the French Revolution and followed by Some notes on the history of tolerance.

Among French pictorial resources one of the best starting points is the image database of the BnF. You will encounter a rich choice of French historical images at the portal L’histoire par l’image, 1789-1939. Images from the nineteenth century with also five years of the century before it can be traced in the records of the French legal deposit at Images of France, 1795-1880, yet another ARTFL resource. The Joconde database enables you to search for images in the collections of French museums. Another major resource is the Bibliothèque numérique de l’Institut National d’Histoire de l’Art where you can also search for books, manuscripts and archival records. The Moteur des collections at Culture is a very useful meta-catalogue to French collections, even when filtering your search results is sometimes difficult. We encountered already the images section of the French Revolution Digital Archives, a vast collection that luckily is not strictly limited to images created since 1789. Some two hundred images can be found at Liberty, Equality, Fraternity: Exploring the French Revolution, a virtual exhibition of the Georg Mason University and City of New York University.

Looking at Voltaire

Saeculi Lumen - j'éclaire - anonymous copy after a silhouette by Jean 'Voltaire' Huber - London, Beritish Museum

Saeculi Lumen – J’éclaire – anonymous copy after a silhouette by Jean ‘Voltaire’ Huber – London, British Museum

Images of Voltaire himself are also part and parcel of virtual exhibitions such as those of the Bibliothèque nationale de France (BnF) in Paris about Candide (1759) and a similar one of the New York Public Library. The BnF has also a dossier about Voltaire and the collections about him at Paris at Saint Petersburg, with a useful list of works by Voltaire digitized at Gallica. At Trier, too, a virtual exhibition about Candide has been created. Yet two kinds of images are really hard to find online, caricatures showing Voltaire, and images of him using an almost archetypical technique of the late eighteenth century, the silhouette. One of the greatest masters of this art is directly related to Voltaire’s life, the Swiss artist Jean ‘Voltaire’ Huber (1721-1786). I have to confess that I had hoped to retrace a complete series of his silhouettes of Voltaire, but this is very hard to find. Tantalizing the image database of the BnF has two cartons from which Huber made a number of his silhouettes with Voltaire. Both the Château de Voltaire at Ferney-Voltaire and the Musée historique de Lausanne are currently closed for renovation. The collections web site of the museums in Lausanne brings me some paintings by Jean Huber, including the intimate portrait showing Voltaire in the early morning, the Lever de monsieur Voltaire. In the database of the Swiss Institute for Art Research I did find some silhouettes by Huber, but alas not his famous images of Voltaire. A more systematic search using the links collection of the Voltaire Foundation in Oxford brought me to the iconography section of the online bibliography of the Société des Études Voltairiennes in Lyon, but here, too, I searched in vain. The blog of the Voltaire Foundation is most interesting , but one has not added yet a search function. However, this institution provides us also with a good dossier on Huber’s painting La Sainte Cène du Patriarche (around 1772) for which sketches exist.

"Voltaire: Départ pour les Délices", drawing by Charles-Germain de Saint-Aubin - Waddesdon Manor

“Voltaire: Départ pour les Délices”, drawing by Charles-Germain de Saint-Aubin – Waddesdon Manor

It is only natural that Voltaire as a master of satire became himself the object of caricatures. On my legal history website I have included among the virtual exhibitions a number of image collections containing eighteenth-century caricatures, but it lacks a specific resource for the French Revolution. With some luck I found a wonderful online resource at Waddesdon Manor, Aylesbury, Buckinghamshire. The collections of this stately house were brought together by members of the Rotschild family. You can search directly in the Saint-Aubin collection with drawings by Charles-Germain de Saint-Aubin (1721-1786). Two of his comic drawings in the unique album with some 400 items called Livre de caricatures tant bonnes que mauvaises show Voltaire. In 2012 the digitization of this album was completed. It is surely surprising to find this rare resource among the more august objects of the collections at this location. In my view this album is a splendid source which enriches and changes considerably our views of visions on eighteenth-century France.

Finding old cartoons and caricatures

There is a great gateway to online collections of cartoons and caricatures at EIRIS, the Équipe Interdisciplinaire de Recherche sur l’Image Satirique. The very useful links section will bring you for example to a great list at arthistoricum of French creators of satirical drawings. The major drawback for me it is its focus on the nineteenth and twentieth centuries. The image section of the French Revolution Digital Archive contains ten satirical scenes among the nearly eighty pictures with Voltaire. You will find more than one thousand satirical scenes among the 13,000 images, and some 35 items mentioning or showing silhouettes. The search functions in the FRDA are indeed superior to those at the images website of the BnF, but the FRDA is restricted to the period 1787-1799. The BnF did its very best to provide FRDA with new photographs of relevant items.

One of the points worth noticing here is that French cartoons were already an established genre long before Honoré Daumier (1808-1879) started creating his famous drawings of French society. The title of the BnF’s virtual exhibition Daumier et ses héritiers is therefore somewhat misleading, even though admittedly his images of lawyers are among the most stereotyped cartoons of any profession. Dieter and Lilian Noack have created The Daumier Register, a database with an overview of Daumier’s work, and Brandeis University offers online some 4,000 lithographed drawings by Daumier. Another point is that a set of drawings or engravings in a particular collection can almost make a prolonged search for more general digital collections superfluous. The digitized Lexikon der Revolutions-Ikonographie in der europäischen Druckgraphik 1789-1889 (Universität Giessen) contains nearly 11,000 images with pictorial representations in European printed art of revolutions between 1789 and 1889, but more importantly it gives a theoretical framework to the role and importance of graphic images.

Let’s end here with a remark about digitized portraits: you might want to search yourself for other portraits of Voltaire. A large number of links to digital portrait collections has been put together on the website of the Trierer Porträtdatenbank.

For some readers the link with legal history in this contribution might seem very weak or simple absent! However, I would adduce here the fact how art can be a law to itself. Cartoons have a peculiar position between more elitist art forms and popular culture. Caricatures seize upon imagination, but surely are linked to facts and opinions, too. The role of law and justice in Ancien Régime France was a hotly debated matter, and this debate must have touched all kinds of contemporary media. One of the things meriting further research is the role of illustrations in French pamphlets and broadsides. A quick first search using the relevant digital collections for France list on my own page for digitized pamphlets did not yield anything, but my impression could be wrong. Perhaps one can extend such questions also to illustrated chapbooks – in particular the Bibliothèque Bleue de Troyes – and ballads. However, my habit to put too many subjects in a single post should not prevail again. Having here links to many interesting collections only one mouse click away should form an invitation to explore things yourself. In future posts you will encounter legal history again in its widest possible variety!

A fortress of social history

Logo IISH, Amsterdam

More than once I have expressed here my concern to connect legal history with major issues, but preferably without breathlessly following the daily news. When discussing here this summer The History Manifesto I singled out legal history as a discipline particularly equipped to study and analyze for example slavery, inequality, racism and the unfair distribution of wealth, because laws and regulations, legal institutions and their policies, and the ideas and visions of those people trained in legal matters do touch these issues into their very heart. Add violence and immigration to these issues and you have covered major issues in contemporary society. Last week I saw the announcements of four upcoming conferences and symposia confronting these issues, all of them organized this month by or created in close cooperation with the International Institute of Social History (IISH) in Amsterdam.

Earlier this year the IISH reached already headlines with its digitization of the papers of Karl Marx. For me the four scholarly events form only the last push to write here an entire contribution about this marvellous institution, its holdings and importance for historians. In the process of writing it turned out to be rewarding to devote a second section to a number of similar institutions in Europe. Hopefully this comparison makes the strenghts and opportunities of the IISH clearer for you.

Four events

On December 9, 2015, the IISH organizes with the Dutch Royal Academy of Sciences and its Academy of Arts a symposium about science and the immigration crisis. The speakers will be introduced by IISH research director Leo Lucassen, a specialist in the field of migration history who actively participates in the current public debates concerning the impact of immigration into Europe, not in the least with tweets – in Dutch – as @LeoLucassen.

A photo of the attack by Auguste Valilant on the French Chambre des Deputés, 1893

The attack of Auguste Vaillant on the French Chambre des Deputés, December 9, 1893 – image IISH, Amsterdam

Since 1979 the IISH is one of the research institutes of the Dutch Royal Academy of Sciences, and thus it is only naturally to find them cooperating also on December 10, 2015, for a one-day symposium Utopie en geweld [Utopia and violence]. Utopianism is one the branches within the socialist movements for which the IISH has important holdings from numerous countries. In fact it is the very presence at the IISH of a great variety of collections, from personal papers to party archives coming from all over the world that gives this institution its prominent position. This event is almost too close to current world news, but there is also attention for utopian visions within capitalism.

In Dar-es-Salaam (Tanzania) the IISH brings from December 10 to 12, 2015, the authors together of the project for The General Labour History of Africa. This project has a number of aims, for example bringing Africa’s history into focus, supporting African scholars, creating new perspectives on the history of slavery and its impact, and contributing to the centenary in 2019 of the International Labour Organization.

From December 14 to 16, 2015, the first conference of the European Labour History Network [ELHN] will take place at Turin. The ELHN was founded in Amsterdam in 2013. One of the recent initiatives of the IISH and sister institutions is the Social History Portal, hosted at a server of the IISH, but there is evidently space needed for similar cooperation in the field of labour history. At this conference the business of working groups will be the main activity, and their range is impressive.

Multiple constellations

Anyone trying to do justice to the IISH, the history of its holdings and initiatives faces the challenge of striking a balance between its apparent core activities and actual main business, and this balance is not found so easily. Around the IISH are a number of institutions, and you cannot properly assess its doings without looking also at sister organizations, partners in international projects, and the offsprings of the IISH. Let’s have a brief look at the origin and history of the IISH. N.W. Posthumus (1880-1960), the principal founder of the IISH, had already founded in 1914 the Nederlands Economisch Historisch Archief (NEHA). The collections of the NEHA can to a large extent be searched using the online catalogues of the IISH. Important donations for Posthumus’ new project came from Nehemia de Lieme (1882-1940), the director of a labourers’ insurance and banking company with close relations to the Dutch social-democratic party. In 1934 Lieme helped acquiring the archives of the Jewish Bund, an association of Jewish workers in Lithuania, Poland and Russia, and a year later he joined the board of directors of the newly founded institute. Soon afterwards the IISH acquired the archives of the German socialist party. Librarian Annie Adama van Scheltema-Kleefstra succeeded in smuggling the manuscripts of Bakunin out of Vienna just before the Anschluss, and the IISH got the archives of Marx and Engels in its possession. Posthumus had set up branch offices of the IISH in Paris and in Britain. In the face of all threats during the Second World War the losses in materials were surprisingly low. A part of the collections resurfaced only in 1991 in a secret archive in Moscow.

The history of the socialist movement in all its diversity during the nineteenth and twentieth century can safely be dubbed the original heart of the IISH, but adjacent branches of history, in particular labour history and economic history were always near. Today Dutch social and economic history are surely not neglected, and the international dimensions have grown far beyond the homelands of European socialism. In its current form the IISH truly aims at covering the history of work, labour and labour relations in the fullest possible sense. Writing this I feel forced to show here at least some of the IISH activities, but it is quite a feat to write concisely about the IISH. For my First World War blog Digital 1418 I wrote in 2014 about the IISH and its collections concerning this war. There is not only a special research guide for this period dealing with some twenty collections, but also a similar guide for the war and peace movements. At the Social History Portal the IISH contributed to the online exhibition about the 1917 Stockholm Peace Conference, and the IISH contributes relevant digitized items to the portal Europeana 1914-1918.

In 2011 I could point my readers already to the Virtual Library Women’s History and ViVa Women’s History, an online current bibliography of women’s and gender history, both maintained by the IISH. In the field of Big Data the IISH offers you a lot of data hubs, for example Historical Prices and Wages and a database on strikes in the Netherlands from 1372 to 2008. Among digitized works are the editions of two economic enquêtes from late medieval Holland, the Enqueste from 1494 and the Informacie from 1514, with a bibliography on both documents. If you search images of economic activities you might benefit from the History of Work Information System with occupational titles from five centuries accompanied by contemporary images. The eleven online exhibitions also show the sheer width and variety of the IISH’s holdings. Where else can you find together online exhibits on posters from China, Cuba and the Soviet Union, the images of a rare seventeenth-century tulip manuscript illustrating the tulipomania, the history of censorship, Red-Haired Barbarians, the Japanese expression for Europeans in Japan between 1800 and 1865, and Rebels with a cause, the 75 year jubilee exhibit about the major figures of the socialist movements and parties?

Lately the IISH has made great progress in digitizing some of its most important collections. By now you might conclude more easily with me that it is wise to start your visit of the IISH website with some of the nearly twenty online research guides. Those who think British scholars can find everything in London either at the British Library or the London School of Economics might want to visit Amsterdam for the Kashnor collection in the IISH library, where legal historians, too, can find materials ranging from laws ordered by Oliver Cromwell to the Corn Laws and Indian colonial history. The Berlin-Brandenburg Academy of Sciences is creating an online version of the works of Karl Marx and Friedrich Engels (Marx-Engels Gesamtausgabe) of which you can now consult online a number of economical writings, including Das Kapital. The IISH has digitized the original papers of Marx and Engels from the archive of the Sozialdemokratische Partei Deutschlands in their holdings. By the way, this year’s publication of a new Dutch translation of Das Kapital would be another reason to contemplate writing about Marx. There is a useful overview of the main socialist collections and their finding aids at the IISH website, but for quick access it is wise to look also at the general overview of the IISH socialist archival collections. The IISH does provide you online with a general introduction to its archives. Using the guide by Jaap Haag and Atie van der Horst (eds), Guide to the International Archives and Collections at the IISH, Amsterdam  (Amsterdam 1999) is a must. Looking at the spectacular time-table of the socialist collections did exceed even my expectations.

I will not hide from you the Dutch connections of Karl Marx. He often visited in Zaltbommel Lion Philips, the grandfather of Anton and Gerard Philips, the two founders of the Philips multinational firm. Lion Philips actually sponsored Marx who constantly needed money. Marx worked often in the reading room of the British Museum, but large parts of Das Kapital were written in Zaltbommel. Marx’ father’s stepfather was a rabbi at Amsterdam, and Henriette Presburg, Karl’s mother, came from Nijmegen. Last year the Dutch television series De IJzeren Eeuw [The Iron Century] about the Netherlands in the nineteenth century devoted time to this period of Marx’ life. Jan Gielkens edited a number of family documents and letters in ‘Was ik maar weer in Bommel’ . Karl Marx en zijn Nederlandse verwanten. Een familiegeschiedenis in documenten (Amsterdam 1997) and Karl Marx und seine niederländischen Verwandten. Eine kommentierte Quellenedition (Trier 1999).

Violence and its history

Alas we must leave the peaceful surroundings of Zaltbommel on the Waal river and return to the start of this post, the history of violence and other contemporary issues which sometimes seem to move to the background but never totally absent. We had best look at the rather brief introduction to the IISH anarchism collection guide and use the relevant parts of the online exhibit Rebels with a cause to get a taste of what follows. The following sections on archives, literature and highlights redeem its conciseness. Among the many anarchist archives Michael Bakunin, the Spanish anarcho-syndicalists, the Provo movement in Amsterdam and the May-June’ 68 revolt in Paris are just the familiar landmarks. Having access in the IISH library to really rare collections of relevant literature, including the magazines and journals of movements, personal photographs, and perhaps best of all, access to the collections of people such as Max Nettau and Augustin Hamon documenting the history of anarchism, is the thing that you will search for in vain at other major institutions in the field of social and economic history.

Flag with De Strijd logo

It needs perhaps stressing that anarchism historically was not just a movement choosing tu use violence as its exclusive means, but an attempt to rethink and reshape politics and the use of power and the role of authority, and of course anarchism was marked by its great diversity in thought, aims and actions. I confess to a slight passing bias in the direction of violence because of my admiration for a current television series about the history and role of Dutch socialism with the suggestive title De Strijd [The struggle].

Banner Social History Portal

Have I fallen victim to a misplaced belief that the IISH is really outstanding and almost unique, or do I have to correct my views? For a start it will help to look at the Social History Portal mentioned above. In the news section is a notice about yet another scholarly event at the IISH where at December 4 and 5, 2015 a two-day conference was held on Global Capitalism and Commodity Frontiers: A Research Agenda. Last week the IISH awarded a prize for a M.Litt thesis about the Amna Suraka torture museum in Irak. Let’s compare this with some upcoming and recent activities of sister institutions listed in the news section of the Social History Portal. This year the library of the Friedrich-Ebert-Stiftung in Bonn organized meetings around books documenting right-wing populist movements in Germany. The Open Society Archives and Museum in Budapest has on December 8, 2015 a symposium around an exhibition concerning privacy in an open society. The Schweizerisches Sozialarchiv in Zürich has acquired the archives of a movement fighting against human trafficking. The BDIC at Paris-Nanterre organized a two-day conference about the deportation of women in France during the Second World War.

The resources section of the Social History Portal does much to redress the balance. Here all partner institutions contribute to at least one and often more online exhibits. When you look finally at the digital collections section of this portal, and check for instance the number of collections from the various institutions, you will find the IISH with eleven collections. Six other institutions show more digital collections, the institute at Budapest even 46 collections and the archive at Zürich with 45 collections. The Press Museum at Amsterdam, a sister institute of the IISH, is present with one collection, the early twentieth-century caricatures of Albert Hahn depicting Dutch political life and events in a very powerful way, sometimes as aggressively as some of today’s cartoonists. Disappointingly the IISH and the Press Museum have to bow in front of recent claims about image right to keep them out of view, which makes the inclusion of this collection at this moment rather futile. Behind the Social History Portal is the Heritage of People’s Europe network which brings digitized materials also to the Europeana portal.

Comparing institutions

Logo BDIC

When looking somewhat longer at the major European research institutions which share the fields and interests of the IISH in Amsterdam it is in particular the Bibliothèque de Documentation et Information Contemporaine (BDIC) in Paris-Nanterre which has a similar wide scope in time and space as the IISH. The department and collections dealing with the First World War are a world in itself. If you think that the BDIC’s website was not easy to navigate the new design does make things easier, although the English version has not yet been completed. There is a separate digital library, L’Argonnaute. The IISH is still in transition between its old URL and the present incarnation of its bilingual website, and every now and then you will encounter dead links. The list of themes and countries are helpful, but I do miss dearly the old site map. A separate entrance or portal for the IISH’s digital collections might be helpful in creating rapid access to the riches of the collections.

Logo FES, Bonn

The Friedrich-Ebert-Stiftung (FES) in Bonn has several institutions under its aegis or collections amounting to separate institutions, including for example the Karl-Marx-Haus in Trier. Instead of trying to fit everything into one portal the institute at Trier can be reached online through the Archiv der sozialen Demokratie. This archive is in particular home to the Portal zur Geschichte der deutschen Arbeiterbewegung, a portal for the history of German labour movements with much choice in materials and databases. The library of the FES has it own digital library. In view of the number of themes presented by the FES there is a clear case for having not just one website but several platforms, though this hampers gaining a unified overview.

Logo LSE

Last but not least in this rapid European tour is an institution conspicuously absent at the Social History Portal. Does the London School of Economics and Political Science create its own virtual presence with sufficient character, scope, depth and width to stand alone? Being a research institution of world renown the LSE nicely gives you part of an answer by pointing to its own history of pioneering and leading scholars in a number of related fields. The LSE is celebrating 120 years of LSE, with for example also a number of virtual exhibitions. The library of the LSE is home to some 1,500 archival collections accessible through a special catalogue, a better solution than the time-consuming approach at the IISH. You are sure to find something of interest in the subject guides and topic guides; among the topics are Africa, India, Latin America and the Middle East. The last topic guide amounts to an extensive research guide of its kind which will kindle interest in the intricacies of the Middle East. One of its many virtues is leading you to collections and libraries elsewhere in London.

In the LSE’s library the Women’s Library accounts for a separate unit. You might almost describe the LSE’s digital library as a jewel in the crown. There is much attention for the Fabian society with the original Fabian Tracts and the modern Young Fabian Tracts, the digitized diaries of Beatrice Webb, notes concerning the Bretton Woods agreement, and more than 1,000 recordings of LSE public lectures between 1990 and 2006. However, the number of virtual exhibitions is with four distinctly low, even when one includes the fine but small fifth exhibition World War 1 at LSE: a common cause. The LSE could contribute to research for European social history by creating better access to for example its Russian collections. When you visit the websites of the LSE and the IISH you might find the former more rigorously organized, covering more disciplines and easier to use, the latter more inviting but sometimes more difficult to navigate, but leading you always to social and economic history. Of course the proof of the pudding is in the eating, when you contact them, ask your questions, develop your projects or do actual research with or helped by their vast resources.

At the end of this post I realize much more can be said about the role within contemporary society of institutions with such rich collections in the fields of economic and social history. The comparison of four institutions might have helped me to create here yet another long post, but I think it has been rewarding to enlarge this post with the IISH at its centre into a tour bringing you to these important institutions. Their wealth in archival collections and massive libraries on many subjects, themes, countries and regions do merit the attention of lawyers and historians. Their interactions with the public and their role in today’s world can offer a mirror for scholars in the humanities and other disciplines.

Bruegel’s bewitching legacy

Detail of a print by Pieter Bruegel the Elder - Amsterdam, Rijksmuseum

Pieter Bruegel the Elder, Saint James visiting the magician Hermogenes (detail) – Amsterdam, Rijksmuseum

Exhibitions sometimes make you hesitate to visit them at all. Will they only confirm what you already knew or suspected, or will they offer you food for thought and send you in new directions? Since September 19, 2015 you can see at the Museum Catharijneconvent in Utrecht, a museum for the history of Christian art in the Low Countries, an exhibition about images and the imagination of witches. Bruegel’s Witches focuses on drawings, prints and paintings by the great Flemish artist Pieter Bruegel the Elder (around 1525-1569). The exhibition credits Bruegel with creating in a few works the very stereotype of witches, looking as a woman with wild hairs and flying though the air on a broom. In is very best tradition the museum looks also at Bruegel’s contemporaries, shows earlier images of magicians and sorceresses, and it follows the impact of Bruegel’s imagination through the centuries. In 2016 the exhibition will be put on display at the Sint-Janshospitaal in Bruges.

This month Museum Catharijneconvent also shows the Utrecht Psalter (Utrecht, University Library, ms. 32), the most famous medieval manuscript in the holdings of Dutch libraries. This manuscript with vibrantly illuminated pages from the early ninth century is only rarely shown in public, and even scholars seldom are allowed to look at it. If you have your doubts about the Bruegel exhibit, you should come at least for the Utrecht Psalter.

Witches in context

At the Catharijneconvent, a former hospital and convent of the Knights Hospitaller, Christian art is always presented within the context of other expressions of Christian life and practice. In this exhibition, too, you will find objects from daily life and criminal justice, and also books. A particular resource used here are the so-called Wickiana, some 430 illustrated newsletters from the sixteenth century collected by the Swiss protestant vicar Johann Jacob Wick (1522-1580) who also wrote a chronicle about events in Zürich. The Zentralbibliothek in Zürich has digitized the Wickiana. This source is not only a form of communicating news, but it offers also a window to popular culture and protestant views of culture and life. The Wickiana shows the use of images and relate also to the perception of all kind of events and elements of culture at large. From the perspective of book history they belong to the category of pamphlets, or even more precisely to the Einblattdrücke. On my website for legal history I have created an overview of digitized pamphlet collections. Wick’s collection contains also many of his own coloured drawings.

The exhibition shows materials bearing directly on the way courts dealt with witches. There is for example a copy of Joost de Damhouder’s Praxis rerum criminalium (Antverpiae 1556). You can look at archival records from the castle Huis Bergh in ‘s-Heerenberg from 1605 about a trial against Mechteld ten Ham who was accused of sorcery (available online [Archief Huis Bergh, inv. no. 7268]). Interesting is also the so-called schandhuik, the “cover of shame”, from ‘s-Hertogenbosch, an object designed to parade infamous women. Among the books on display is also a treatise by the Jesuit Martin Antonio Delrio (1551-1608), Disquisitionum magicarum libri sex (Lovanio 1599), a book dealing both with the theological interpretation of witchcraft and with the role of judicial courts. Delrio was a humanist scholar, a nephew of Michel de Montaigne and a friend of Justus Lipsius. It prompted me to look at the number of books dealing with witchcraft and demonology signalled by the Universal Short Title Catalogue (USTC) in St. Andrews. The USTC gives you hundreds of titles, and you find of many works several editions. By the way, the book of De Damhouder appeared also in Dutch and French. The USTC is one of the portals indicating also access to digital versions of these works.

Firing the imagination

When you visit the exhibition at Utrecht, you can view the works of art, artefacts, books and pamphlets using a summary guide (Dutch or English), use an audio tour or dive into a fine classical exhibition catalogue. Walking through the rooms and corridors of this exhibition can thus be a rather normal contemporary museum experience, or you can choose a multimedia approach to submerge yourself into the dark world of Early Modern imagination. However strong images and imaginary worlds may be, they combined with the forces of churches and courts to create images of women. Even when they escaped from outright persecution women had to cope with very powerful unfavorable representations of their gender. Imagination, perspectives on gender and anxieties were part and parcel of the period which saw the growing impact of real and imagined magic and sorcery. The role of courts in dealing with witchcraft surely did not always do credit to law and justice.

This exhibition at Utrecht is visually attractive and seduces you to some extent to revel in the imagery of witchcraft, but there is a sober and more disconcerting reality behind which should not be lost out of view. Malcolm Gaskill’s volume Witchcraft. A Very Short Introduction (Oxford, etc., 2010) has been translated into Dutch in 2011 by Nynke Goinga [Hekserij, Een kort overzicht (Rotterdam 2011)]. I seldom condemn books or translations, but this translator succeeds in utterly missing the crux of the matters under discussion. Many translated sentences sound strange as if she did not understand at all the subject of this book. Alas witchcraft as a historical subject will remain open to the fascination of those people searching for sensation and esoteric phenomena. There is too much at stake around this subject to leave it to thrill seekers and freaks. However, such statements do not make it easier to face the challenges to deal with this complex subject, starting with the oceans of publications about witches and sorcerers. We need the powers of deep thinking and applying all of the (legal) historian’s crafts to do justice to this aspects of Early Modern history. If this exhibition convinces you at least of the value of this conclusion, your visit will be fruitful.

De heksen van Breugel / Bruegel’s Witches – Utrecht, Museum Catharijneconvent, September 19, 2015-January 31, 2016, and Bruges, Sint-Janshospitaal, February 25 to June 26, 2016

A postscript

Klaus Graf pointed in one of his latest 2015 posts at Archivalia at the online version [PDF, 200 MB] of the dissertation by Renilde Vervoort: “Vrouwen op den besem en derghelijck ghespoock.” Pieter Bruegel en de traditie van hekserijvoorstellingen in de Nederlanden tussen 1450 en 1700 [“Women on brooms and similar ghostly things”. Pieter Bruegel and the tradition of witchcraft iconography in the Low Countries between 1450 and 1700] (Nijmegen 2011).

At the scene of crime with the Romans

Flyer For a number of very sensible reasons the history of Roman law has a prominent place within the study of legal history. However, in most cases we tend to focus on Roman private law, sometimes we take public law into account, and criminal law holds at its best a marginal place. This blog tries to avoid undue attention to Roman law, but there is no need here to exclude it completely. The current exhibition about Roman criminal law at Nijmegen (Nimwegen / Nimègue) at Museum Het Valkhof is an excellent occasion to look at this subject in some depth. Its title Plaats delict. Misdaad bij de Romeinen [The scene of the crime. Crime among the Romans] suggests correctly that artefacts will help you to get a better view of Roman attitudes towards crime.

The variety of crimes

Inscription about a murdered farmer

The exhibition at Nijmegen has been developed in cooperation with a number of German museums which created the travelling exhibition Gefährliches Pflaster. Kriminalität im römischen Reich [Dangerous pavement. Criminality in the Roman Empire]. At Museum Het Valkhof, a museum for art, history and archaeology, there is a clear stress on a way of presentation suited to young people. There is no accompanying catalogue, but only short texts with brief explanations about the objects put on display. Children are invited to play the role of Quintus, a Roman crime investigator, and to find out who has committed a murder. From Frankfurt am Main there is a skull with traces of a murderous attack. Children can also take a seat in a Roman court and deduce the exact way cases did take place. An inscription concerning a Roman investigator at Nyon (Switzerland) and an inscription telling us about the murder of a farmer certainly help to imagine how crimes touched the lives of very real people. At Nyon Quintus Severius Marcianus had been very successful as a praefectus arcendis latrociniis, and his home town honoured him with an inscription.

The crimes shown in this exhibition offer a wide variety, from theft and counterfeiting coins to playing with prepared dices, and from burglary to murder and the plundering of tombs. Punishments, too, show a great variety: penalties in money, hand cuffs, slavery and forced labour, and the death penalty in various forms, be it as a gladiator, fed to the lions, by beheading or crucifixion.

Waxtable with a fine

From the perspective of legal historians it is remarkable that Roman law is scarcely invoked at this exhibition, often only implicitly or strictly in the context of an object. For lesser crimes your punishment would often be a fine, an amount of money to be paid. It is a pity the exhibition shows only a replica of a second century wax table with such a fine, held at the Archäologisches Museum Baden-Württemberg in Rastatt.

The longest text about Roman law in the exhibition gives a short overview of the various sources of Roman law. The major place of private law is mentioned, as is the efforts under emperor Hadrian (117-138) to unify Roman law. The Codex Justinianus is described as a text-book for students. Just two paragraphs to summarize a development of many centuries is simply too short to bring more than a few things to the attention of people. More to the point is the explanation about the accusatory nature of judicial proceedings. The parties involved had to bring a case themselves to court. The role of provincial governors to hear cases and to ask for judgments from the emperor himself is also mentioned, but none of this information is further corroborated.

Roman burglars at work

The information concerning the objects on display fares better, with nice captions such as Inbrekers aan het werk [Burglars at work] for a box with traces of an attempt to force its lock. Some walls of the exhibition rooms have been decorated with actual Roman wall paintings or evocative artists’ impressions, showing for example a number of inscriptions in a Roman settlement. The exhibition shows small statues of dogs given to the dead in their graves to protect the gifts accompanying their bodies. The ubiquitous Cave canem [Watch out for the dog] is only hinted at by showing a bronze head of a dog.

Objects, stories and history

I left the exhibition at Nijmegen with mixed feelings. It is easy to admire the telling array of objects, to learn about them from the concise information about them, and to get here a general impression of Roman life, crimes and punishments. The immediate involvement of children in an imaginary murder investigation is to be welcomed as an example of teaching a subject by making students play a role in a historical setting. However, I cannot ignore the lack of more information about the Roman judiciary, and in particular about its development. The quality of the information for each object is much better, but this shows also forcefully that texts – or maybe a video presentation – can enhance the understanding of objects.

At the entrance of the exhibition you read the Romans faced much the same crimes as we do nowadays. The very substantial difference in punishments could have been highlighted stronger. The attention paid by Romans to safeguard their possessions could have been easily linked to their veritable obsession with hereditary law, the very heart of Roman private law. In the museum shop at Nijmegen with a nice selection of books on Roman history I searched in vain for the German book published for the original exhibition by Marcus Reuter and Romina Schiavone, Gefährliches Pflaster. Kriminalität im römischen Reich (Mainz 2013). Reuter works at the Archäologischer Park und RömerMuseum in Xanten, a town not far from Nijmegen, which makes this omission even more painful.

Apart from the leaflet for children and a general flyer no printed information is available. In face of the Dutch fondness for English books studies such as Jill Harries, Law and crime in the Roman world (Cambridge 2007) and Olivia Robinson, The criminal law of ancient Rome (London 1995) could at the very least have been shown. For me it seems legal historians at the Radboud University Nijmegen have missed a chance to create for this occasion at least a succinct brochure which might redeem this conspicuous lack of further information. The city of Nijmegen can proudly trace its history back to Roman times, At Museum Het Valkhof is also a permanent exhibition about the Peace of Nijmegen (1678-1679), which without any doubt has benefited from advice by legal historians. Let’s hope they will exploit more actively future chances for cooperation with archives, museums and libraries, starting in their own town or region.

Plaats delict. Misdaad bij de Romeinen, Museum Het Valkhof, Nijmegen, May 18-October 5, 2014 – www.museumhetvalkhof.nl

A postscript

While finishing this post I visited also the exhibition De Krim / The Crimea at the Allard Pierson Museum in Amsterdam, the archaeological museum of the University of Amsterdam. A splendidly flowing projection of tribes and their movements in the Roman empire from the first to the seventh century and a movie about excavations help here to see the context of the treasures shown. If I had noticed it earlier this year a posting about the Crimea and Ukraine would have been close to current world news, and for that reason the exhibition did not end in May, but will be open until August 31. In fact the museum fears either Russia or Ukraine will come with juridical claims when the objects would return now to the lending museums on the Krim (see a press release of the Allard Pierson Museum (August 20, 2014) and for example the Dutch newspaper Trouw, August 22, 2014). In one of the corridors of the Allard Pierson Museum is a small photo exhibition Culture under attack about the threats to cultural heritage worldwide since 1945.

Rousseau at 300 years: nature and law

Tomorrow the birthday 300 years ago of Jean-Jacques Rousseau (1712-1778) will be commemorated, not only in France but in many countries worldwide. In this post I will look briefly at his impact on law, mainly through his views of mankind and nature.

Painting of Jean-Jacques Rousseau by Maurice Quentin de la Tour

Painting of Jean-Jacques Rousseau by Maurice Quentin de la Tour – Saint Quentin, Musée Antoine Lécuyer – image in public domain

Rousseau’s tercentenary

At his blog Jean Stouff published already in January 2012 a webographie, a short guide to websites celebrating the tercentenary of Rousseau. I will take over from this post a number of websites. Stouff points to the Athena website, a database at the Université de Genève with texts in French, where you will find mainly Rousseau’s literary texts. On the Canadian website Les classiques des sciences sociales [Classics of the Social Sciences] texts and pamphlets with a more political orientation are presented. For translations into English available online you can go for example to the Online Library of Liberty where you can read some of the most important texts by Rousseau, among them Emile ou l’éducation and Du contrat social.

In fact you can choose between many starting points for introductions to his life and writings. I stumbled on the entry for Rousseau at the mirror at Leeds of the Stanford Encyclopedia of Philosophy. Worse choices are certainly possible! The University of Leeds organizes on June 28 and 29 a conference on Jean-Jacques Rousseau and Britain. One of the conferences linking Rousseau and law will be held at Chambéry on October 24-25, 2012, L’émancipation par le droit entre utopie et projet. Jean-Jacques Rousseau, XVIIIe-XXIe siècle, with a focus on emancipation by law. You must forgive me for not giving here an exhaustive list of all conferences on Rousseau that have already been held this year.

Looking directly at Rousseau’s writings is one thing, looking at exhibitions concerning Rousseau offers a kind of contemporary window to look at this immensely influential writer. A special Rousseau 2012 blog helps you to keep track of festivities in France. The links guide you to more Rousseau websites. In particular the Rhône-Alpes region bristles with all kind of activities. To be honest, I suspect Rousseau is used here also for the marketing of this region. One of the largest exhibitions is at the Bibliothèque municipale in Lyon, Jean-Jacques Rousseau entre Rhône et Alpes. At Grenoble the municipal library presents the exhibition Avatars de Rousseau: héritage et postérités. The bilingual website of the international Rousseau Association – maintained at Lyon – brings you to more scientific activities and can bring you to more relevant information.

The Art Museum of University College London had earlier this year an exhibition on Rousseau 300: Nature, Self and State, and a conference with the same title. In Paris the Panthéon, where Rousseau is buried since the French Revolution, is the location for an exhibition on Rousseau et les arts. The Musée Jacquemart-André, too, devotes special space to Jean-Jacques Rousseau, especially at its location in Chaalis. Harvard’s Houghton Library presented this year an exhibition on Rousseau and human rights. The guest curator of this exhibition took her lead from Rousseau’s use of the very word human rights, droits de l’homme, in Du contrat social (1762). In Germany the Rochow-Museum in Reckhan (Brandenburg) will bring an exhibition on Rousseau as a man of many talents, a visionary and someone often exiled or banned. The university library of the Freie Universität Berlin presents this year its copies of early editions of Rousseau’s works.

For this post I have found only one recent virtual exhibition on Rousseau, Voltaire-Rousseau: l’éternel duel, created by the Centre international d’étude sur le XVIIIe siècle in Ferney-Voltaire. The database of the Smithsonian Institution on virtual exhibitions in museums and libraries worldwide brings just one example, an exhibition at the Lloyd Library and Museum in Cincinnati on Rousseau and his botanical interests.

A Dutch connection to Jean-Jacques Rousseau will be explored to some extent at a two-day conference at Neuchâtel on Jean-Jacques Rousseau/Isabelle de Charrière. Régards croisés (August 22-23, 2012). Isabelle de Charrière née Van Zuylen (1740-1805) was born in Utrecht where she lived until her marriage. She wrote in French. Both authors were also composers, to mention only one connection between them. The university library of the University of Amsterdam will organize in September an exhibition on Rousseau. Last week the Zentral- und Hochschulbibliothek Luzern presented a new German translation of Rousseau’s letters on botany and an accompanying exhibition.

Rousseau, nature and law

The themes presented by Rousseau can rightfully be called familiar spots, old stamping grounds, classic themes for discussion and research. The proverbial imaginary library is well-stocked with works studying these and other subjects from ever-changing angles: the Enlightenment, the French Revolution, education, anthropology, views of nature, the scope and character of laws, to mention at least a few examples. Even if Rousseau is not on his own completely responsible for introducing views of nature and mankind which influence modern thinking already for more than two centuries, he is surely the author most often associated with new perceptions of nature, man and society. Research on for example his influence on the French Revolution, and more particular the Déclaration des Droits de l’Homme, amounts to a veritable industry. Even though he did live for some time as a recluse – the original cabane can still be seen near Chaalis – he was certainly not cut off from society. Either directly on indirectly his views became quickly known and often hotly debated by his contemporaries.

Rousseau brings the idea of liberty to the front in an exemplary way, both in his writings and his private life. This is reinforced by his Confessions, an autobiography which redefined the genre. Nevertheless, one should be wary about this source which is in its own way as particularly constructed as the Confessiones of Augustine of Hippo. A short summary of some of Rousseau’s major ideas does scarcely justice to him, nor does it provide a balanced view of the ongoing reception of Rousseau, not just in intellectual history, but in society at large. However, let it suffice here that for Rousseau nature gets a new significance as the untroubled, innocent and promising origin of man, instead of a state of man taken away by the fall of Adam and forever out of reach. He looked at natural surroundings with new eyes, and indeed introduced nature as an object of beauty and contemplation for its own sake. The exploring of continents and landscapes, supposed or real wilderness near city life or far away, owes to his enthusiasm, not to mention the search for the bon sauvage, the archetypical wild man living in or close to Paradise. To be sure, the concept of the noble savage is much older, and Rousseau’s actual views here might even have been interpreted incorrectly. His view of mankind as susceptible to benevolent influences has had far-reaching consequences for ideas about education and lawgiving. In a way Rousseau seems to encapsulate the Enlightenment at its most optimistic turn. His longing for liberty is perhaps his most lasting influence, shared all over the world.

Maybe this brief post helps you to choose between many opportunities this summer for interesting exhibitions to visit and books to read of reread. This time I have not included a tour of digitized first editions or translations, but that voyage in the wake of Rousseau will no doubt be rewarding, too.

A postscript

In July 2012 the  new website Rousseau Online presents a digitized version of the Collection complète des oeuvres de Jean-Jacques Rousseau (17 vol., Geneva 1780-1788), a project of the Swiss history portal InfoClio. Hat tip to Eric Hennekam!

Legal history on display

Rare books, digital libraries, legal iconography and landscapes are among the subjects about which I have written most of my postings. A series of contributions on centers of legal history is also one of the backbones of my blog. Only a few postings have been concerned only with one or more exhibitions. Some of these exhibitions – at museums, archives, libraries or in the form of online exhibitions – really merit attention because of the great care with which the items on display have been selected, their interesting features and the judicious commentaries added to them. Some exhibitions succeed in presenting a familiar history with unknown objects and add a new narrative to well-known facts. Such exhibitions might challenge existing views or stick too close to prevailing opinions, they might in your opinion put undue emphasis on certain aspects of a subject, but you seldom come away from them without food for thought. Very often they succeed in presenting important items from collections in a new way.

The motive for looking at exhibitions concerning legal history comes from the congress calendar at this blog. Among this year’s workshops is a workshop on rare legal books to be taught by Mike Widener of the Lilian Goldman Law Library at Yale University. From June 13 to 17 he will teach for the Rare Book School at Charlottesville, Virginia, a course entitled Law Books: History & Connaisseurship. To my happy surprise Widener mentions in his preliminary reading list for the participants of his course a number of online exhibitions created by five American law libraries, the Harvard Law School Library, the Tarlton Law Library of the University of Texas at Austin, the Daniel R. Coquillette Rare Book Room of the Boston College Law Library, the Robbins Collection at Boalt Hall of the University of California at Berkeley, and the Rare Book Room of the Lilian Goldman Law Library. I had already encountered a number of these online exhibitions, but I had not thought yet of bringing them together. Widener shows his knowledge in particular by having traced the Robbins Collection’s exhibition Milestones in Legal Culture and Traditions, but more probably I simply succeeded earlier on in overlooking the link to the exhibits on the website of this fine library. Books, historical documents and records are the main items shown in these online exhibitions as objects of interest and importance.

Anyone looking for online exhibitions created by libraries or archives can benefit from the database for Library and Archival Exhibitions on the Web, maintained by the Smithsonian Institution. American and British examples are surely overrepresented at this website, but the services it renders are most welcome. However, sometimes even this database cannot help you, for example when an online exhibition has moved to a new URL, or worse, has been removed from the web, due to reconstruction of a website or to sheer misfortune. The Jacob Burns Law Library of the George Washington University, Washington, D.C., organized in 2005 an exhibit called “The Duel“, but you cannot find it anymore at the URL provided. Luckily the Internet Archive enables you to retrieve it almost completely, only a number of images are missing. The article by Jennie C. Meade in the Fall 2005 GWMagazine, too, gives some impressions of this exhibit. Perhaps one day the online exhibition can be recovered. Meanwhile legal historians can view online back issues of the newsletter of the Friends of the Jacob Burns Law Library, A Legal Miscellanea. Miscellaneous, too, are the subjects of exhibitions I will mention here.

Exhibitions in America concerning legal books and legal history are announced in the newsletter of the Rare Books and Legal History section of the American Association of Law Libraries. An exhibition understandably not mentioned in the Fall 2010 issue has been redesigned and updated at Cornell University. Remembering the Triangle Factory Fire 100 Years Later, 1911-2011 is an exhibit created by Cornell’s International Labor Relations School and the Division of Rare and Manuscript Collections at Cornell University Library. The exhibit does not only contain records of eye witnesses and survivors, and documents of the investigation and subsequent trial, but also materials concerning relief work and protest, and much more. When you check Cornell UL’s list of online exhibits you will soon find more legal history, for example in the Lafayette Collection and the Maurepas Collection, in an exhibit on the abolition of slavery and an exhibit on pirates in South East Asia, which I had already dutifully noted in an earlier post on piracy. Even if it does not touch directly on American legal history I would not skip looking at the Cornell copy of the Gettysburg Address. The web-only exhibit 25 Years of Political Influence: The Records of the Human Rights Campaign from 2006 definitely has an impact for legal history.

What about online exhibitions elsewhere? On my webpage for digital collections and legal history I have so far put together just a relatively small number of exhibitions, mainly image collections, because I have not really been searching for them. Searchable databases have received more attention than online exhibits. In Italy I have spotted the online exhibition I libri antichi di Angelo Sraffa of the Università Bocconi, Milan, on the sixteenth-century lawyer Benvenuto Stracca and his treatise De mercatura and other early works on commercial law. Until that time commercial law had not been a separate field of law, worthy of treatises for its own sake. The accompanying bibliography will help you to explore this theme further.

Online exhibitions are often created for educational purposes. When you consider carefully the amount of research involved, the care bestowed on clear presentation and insightful writing, and the often beautiful design of special websites, you should not hesitate to admit their value for research and academic teaching. Sometimes individuals create websites around themes, without the help of a back-office team, and it is tempting to criticize the results in one way or another, but would you have taken the trouble to create them? Douglas Linder of the University of Missouri-Kansas City, creator of the Famous Trials website, is right to stress the fact that you need to consider the background of such websites. It is one thing to use his in my eyes very interesting set of pages on the Scottsboro Trials, and another to be aware of Cornell University Law Library’s special collection on these trials. Institutions such as the American National Archives, the Library of Congress, the British Library and the National Archives at Kew deliberately create different presentations for different groups within the public; the links lead you to overviews of their online exhibitions. Taking Liberties: The struggle for Britain’s freedom and rights is an example of an exhibition within the online gallery of the British Library. This section is clearly different from the corner with the research guides and the catalogues. No doubt readers of Paul Halliday’s Habeas Corpus. From England to Empire (Cambridge, Mass.-London 2010) will find the treatment of habeas corpus in this exhibition incredibly brief and not up-to-date, but at the very least it is not given undue prominence. Other themes concerning liberties and freedom deserve attention, too, and there is no denying the judicious use of sources and images in this exhibition.

Anyone who thinks his or her institution can do a better job, should try to follow the arduous road from initial enthusiasm through hard work to a captivating and interesting website well worth visiting. Some libraries do not only create online exhibits, but also small dossiers. In past years the Dutch Royal Library has created such dossiers on the abolition of the death penalty and on the sixtieth anniversary of the Universal Declaration of Human Rights. Links to important websites or a congress ensure that you are invited to look beyond these dossiers. To compensate for the Dutch only version at this website I offer you the overview of online exhibitions of the International Institute for Social History in Amsterdam. From the almost embarrassing wealth of archives, digital collections and three (!) Virtual Libraries at the IISH I will only mention the History of Work Information System with occupational titles from five centuries accompanied by contemporary images, and the digital version of two economic enquêtes from medieval Holland, the Enqueste from 1494 and the Informacie from 1514, with a bibliography on both documents.

At the end of this post I would have liked to end with giving the link to a worldwide register of online exhibitions that emulates the functions for the Anglophone world of the site created by the Smithsonian Institution. As for now I have not yet found it, but writing this post has convinced me it is really worth searching for. The History Guide of the Staats- und Universitätsbibliothek Göttingen will lead you to some virtual exhibitions, for example on the German Holy Empire, but Clio Online-Fachportal für die Geschichtswissenschaften – with an interface in German, French or English – will bring you more. Surely similar sites exist which enable you to search for online exhibitions and much more, and if you know about them, please share your information with me. I guess the circle is round for today with finding thanks to Clio Online the online exhibition Birth of the Nation: The First Federal Congress 1789-1791 at the George Washington University. And if you prefer knowing more about rare legal books there is Mike Widener’s reading list, or even attending his course in June.