Tag Archives: Oral history

Against racism, for justice

These weeks see worldwide demonstrations and outcries against racism after the tragic death of George Floyd in Minneapolis as a victim of police violence. What can we do to stop this violence? Which approaches can help to expose racism? What is our own role? It is a real challenge to add here something worth of your time and attention that has not already been said more eloquently and argued more convincingly by others. In my own country a recent report showed more traces of racism exist than Dutchmen would like to admit. Therefore it is not possible to tell others to change, and at the same time not look at your own country.

However, remaining silent is exactly one of the problems around racism. In this post I will try to look at some aspects of racism in the United States connected with law and justice. Just listening to people telling us about the impact of racism is one of the most important steps towards a society where people truly enjoy equal rights. A focus on oral history resources is perhaps closest to my own perspective and knowledge. The ultimate aim of the struggle against racism is to achieve a greater measure of justice for all.

A brief look at the Netherlands

In April 2020 the Sociaal en Cultureel Planbureau [Social and Cultural Planning Office] published the report Ervaren discriminatie in Nederland II [Experiencing discrimination in the Netherlands II] (PDF, 2,4 MB) with an English summary. A quarter of the Dutch population indicated they have experiences of discrimination. The degree of discrimination is different for various groups, and this indicates there will not be just a single solution leading to a more inclusive society. The report shows not only people with a different origin perceive discrimination, but their numbers are surely high, and they perceive it stronger than other groups. They mention things such as not getting a job because their name sounds foreign. Buying a house can be difficult when some estate agents accept wishes not invite them as prospective buyers, even when these agents know this kind of discrimination is not allowed. People told they did not get a job because their place of birth is outside the Netherlands.

The Dutch situation does not stem only from a colonial past in the Caribbean and Indonesia. Labor immigrants from North Africa, Turkey and Eastern Europe, too, arrived in my country. Many of them have now a Dutch passport, but they and their children do experience forms of exclusion, just because of their names and the perception people have of them. The single most important matter is probably not being aware at all that people experience this exclusion. You might be tempted to thing outright racism does not exist anymore, but suggestive regards, telling remarks and bad jokes exist. My tiny country with just seventeen million inhabitants can seem a paradise, but it is part of a larger world. It may be hard to believe, but it cannot be denied forms of racism and exclusion exist in the Netherlands, too, and you cannot blame just one political party or whatever organisation for fostering racism. Multiple causes are at work.

Eyes wide open, ears willing to listen

Racism touches individual persons, groups and eventually an entire nation or country. It will not do to state you have no idea of any form of exclusion, inequality, injustice and outright violence. It would mean you think you live somewhere else, in another world. Admitting and acknowledging it happens in the very same world where you live, and perhaps not in your own safe haven, but alas surely in many other places, is a starting point. A second thing is harder to achieve, admitting you have probably distinct blind spots in your perception. On the level of a country this might lead to not understanding almost two nations exist within one country. A third thing is the temptation to think in compartments, with “we” on the good side, and “they” on the other side. A fourth difficulty is the great seduction of either deciding for others or letting the government decide about such people, as if you can create a distance from others, instead of listening first of all to others, to their perceptions, feelings and grievances, to their views about ways of building society and administering justice.

In my study I sit across a cupboard with books. A few years ago I put right behind the screen of my computer at eye height a number of books about justice, as a sign not to forget about justice when studying law and legal history. The things staring in your face can be hard to detect, a fact of life.

Logo Black Past

When I started thinking about writing as a legal historian about current events I quickly saw some websites providing you with very good overviews of online materials to start studying African-American history. The Library of Congress marks 22 of its 424 digital collections as directly touching this subject. The Digital Public Library of America has 27 primary source sets concerning African Americans. A good starting point is the Black Past portal with its great range of subjects and themes. Its page on research guides and websites for African-American history is most helpful. It is only natural to mention here the National Museum of African-American History and Culture in Washington, DC, and its digital resources guide. Pursuing a road to the history of racism within the history of the United States brings you to institutions and portals such as the Gilder Lehrman Institute of American History in New York, Facing History and Ourselves, The Inclusive Historian’s Handbook and the National Council on Public History. Two other museums have to be mentioned here, the National Civil Rights Museum in Memphis, Tennessee, and the Birmingham Civil Rights Institute in Birmingham, Alabama, the latter with an oral history project. No doubt some of the websites and projects I mention here figure also in this online overview of Black Digital Humanities Projects & Resources.

Among the organizations issuing statements about racism and the death of George Floyd is also the American Historical Association. The AHA statement has been endorsed by seventy-five scholarly organizations. This statement focuses on the history of police violence, and it urges to learn from history, even if the facts abut structural injustice and ingrained violence are not welcome, because they damage the image people had of America and Americans.

Oral history

Logo American Archive of Public Broadcasting

Perhaps you would prefer to use visual resources to tell stories of the position of African-Americans in the United States, the racist behaviour against them and the actions of individuals, organizations, state and federal institutions to change society and uphold human rights in a truly equal way for every American citizen. In my view using oral history brings home the message that people tell stories of their lives, of injustice and humiliation, of their efforts against all odds to change things. Looking at television and listening to radio broadcasts of public networks in the United States can certainly show something else, the relative invisibility of African Americans during many decades. The American Archive of Public Broadcasting is a great resource to pursue this research direction.

Logo Oral History Association

At the website of the International Oral History Association you will find a substantial number of links to sites with oral history projects in the United States. The Oral History Association (OHA) is the organization in the USA for oral history. The OHA, too, issued a statement about the death of George Floyd. The OHA gives you a long list of oral history centers in the United States, To give an example, the Minnesota Historical Society (MNH) does work in the field of oral history, in particular within the project Voices of Minnesota. Within this project of the MNH a number of resources concern African-American history. The Minnesota Digital Library is a portal to other projects and collections for Minnesota’s history, and to an oral history transciption style guide. At Minnesota Reflections you can find some 2,000 oral history interviews, the majority of them with texts, a substantial number with recordings and nearly fifty with moving images.

Logo Place Matters

Writing here “moving images” was at first a literal quote from a search by format for oral histories at Minnesota Reflections, but of course the other meaning of moving images is most expressive and powerful. Other words, too, are these days most telling. While preparing this post I was struck by the very name of a project for community history in New York City, Place Matters. The Centre for Oral History and Digital Storytelling at Concordia University, Montreal, has created Stories Matter Software allowing you to clip, index and export audiovisual recordings to avoid some of the difficulties with transcriptions of interviews. The links list of the center in Montreal is impressive, too. The skills of oral historians, their examples and guides, both in the United States and elsewhere, can help to document also the tragic events in Minneapolis and the reactions of people and institutions.

Listening to the stories about the events in Minneapolis and following the world wide reactions is one thing, pondering their meaning and preserving their memory is important, too, but naturally thoughts go also to ways to tackle racism and exclusion.

Talking from your own position

At the end of this concise post I am very much aware that my overview of resources can seem too detached, taken too much from a virtual helicopter view, as if this would be possible. I am not writing from Olympian heights, but definitively with an ocean between me and America. The news from the United States touched me. I try to think about it, and at the same time I feel emotions, too. In my overview you will notice I gave detailed attention to some resources, other figure only with their name and web address. I tried not to focus only on racism and police violence, and therefore I mentioned first a number of institutions which deal with many aspects of American history.

At my blog I try to look at legal history in its manifold incarnations. Not only positive elements in historical laws, law courts or legal education come into view. Several posts focused on parts of the history of slavery, for example my post on the digital collection Slavery in America and the World: History, Culture & Law. Violence in the United States was the subject of a post in 2018 on historical gun laws.

I will not and I cannot offer here political advice or show legal roads to eliminate forms of racism, to reform the police force or to diminish endemic violence and the use of guns in the United States. In a recent conversation about what you can do yourself, even at a great distance, we mused about the importance of communication, of listening to each other behind words and moods, about the need for awareness of cultural differences in communication. Changing the way police officers talk with others, prepare themselves for non-violent communication instead of the proverbial Shoot first, ask questions later, and reflect about their image in the eyes of others, is not the quickest and easiest thing to do, but certainly worth an effort. In the same conversation we talked also about the power of symbols and the role of emotions.

As for real stumble blocks for political change in the United States I could not help remembering the way voters have to register for elections. From the viewpoint of a country where being registered in a municipality and fulfilling some simple criteria such as age and not being excluded from the vote by a verdict of a court, leads automatically to receiving your voting card, this is a remarkable situation. It is a challenge for all Americans to gain insight into the many ways African-American citizens can be hindered in exercising their civil rights to full extent as anyone else, to realize what impact such things have, and to understand how this feels in the face of a history of exclusion, open or veiled racism, and injustice. Looking critically at your own country, your own role, your own prejudices and quick opinions, is something we all can do. It might imply leaving your own bubble, changing your own role and perspectives. In 2017 I ended a post about the United States with words that fit here, too: The old wisdom that politics will touch you sooner or later still holds true, as will visions of law and justice.

A postscript

Among the many links you could possibly add to this post I would like to mention Archivists Against History Repeating Itself and Archives For Black Lives, both with resource lists.

The Legal Song. Legal history in lyrics

How come things together in a blog posting? In a postscript to my post on Scandinavian legal history I provided a link to the website of the library of the University of California at Los Angeles. Looking a bit further among UCLA webpages I found the website which is the focal point of this post. One of the digital collections at UCLA is more than just another fine collection. The Sheet Music Consortium is a portal for searching sheet music in seventeen American collections and one Australian collection (at the National Library of Australia). When you realize one of these is a collection at the Library of Congress where you can find massive holdings in the field of music, it becomes clear this portal constitutes a gold mine for anyone interested in popular music. Think only of combining historical sheet music with historical sound recordings in the National Jukebox of the Library of Congress, and you can see a very interesting road for both music aficionados and musicologists.

Law in songs

Law in songs is the subject of this post. The Californian sheet music portal is certainly a place to look for this subject. Law is not just a word in many song titles, several songs deal substantially with law. You have to do some clever filtering to get the best results. A lot of songs mention a mother in law, and here you can do without her! When you have tuned your search the efforts are surely rewarded. The Law Must Be Obeyed is a 1916 song composed by Irving Berlin with his own lyrics. “We’re the county sheriffs and the law must be obeyed” is the first line of the chorus in this song. I Like My Bootleg Man is a song from 1929 by W. Hurdle and F. Sacca, not digitized yet, but clearly connected with the American prohibition on alcoholic drinks between 1920 and 1933. It would be interesting to compare it with an anonymous 1930 song entitled Prohibition Is On The Wing, but this song, too, is not yet available online. Policemen are made fun of in Montague Ewing’s The Policeman’s Holiday (not dated). In this dance, indicated “1 or 2-step” on the cover, children sing the only text of this composition, “Steady, boys, here comes a bobby”.

Many subjects could show up here, but I will offer just one gem, at least from a legal historian’s perspective. Robert Estee composed in 1904 When Boni Sold Samuel Louisiana. A Louisiana Purchase Exposition Song. The 1803 purchase appears in this song as the point of comparison for American expansion symbolised by the Panama Canal. The lyrics of Irving Berlin’s Louisiana Purchase deal with another kind of purchase, the tag “won’t you let me sell you New Orleans” being repeated twice… Lawyers are the subject of a number of songs, for instance in I’ll Place It In The Hands of My Attorney by F. Gilbert with lyrics by Geoffrey Russel Jackson (1885). One of the oldest songs found using this portal is a ballad, A Fine New Sang of The Battle Fought On The Shields Railway, using the tune Cappy’s the dog. The digitized version of this song was printed in Newcastle in 1839 and tells a story of early railway travelling, a fight at the railway station and the following trial of the culprits with a surprising verdict.

More online collections with American sheet music exist, and you will not want to read a full list of them. The Library of Congress is in a class of its own, not just in the field of law, but also for music and music history, and I gladly refer you to it. I want to single out one American digital collection, the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara. Among the digitized cylinders I found a recording from 1917 called The trial of Josiah Brown. Listening to this vaudeville sketch can make you in a new way aware of the imagery, the clichés, the routine attitudes, the clashes between high and low society and much more which not just surround a court of justice, but are part and parcel of it, and thus open to all kind of reactions, including humour, ridicule and satire.

More ballads and songs

Earlier this year I already referred to some databases for historical songs, to be more exactly in a post on the history of piracy. The English Broadside Ballad Archive (University of California at Santa Barbara) is one of the digital gateways to old songs; here four collections can be searched simultaneously. A rather random search yielded already nearly hundred songs about lawyers, including a festive song on Edmond Saunders becoming the Lord Chief Justice of England (A New-years Guift to the TEMPLERS, / On the Eminent Lawyer / Sir Edmond Saunders (…)). Saunders had been a bencher of the Middle Temple and got this high office only months before his death in 1683. The Bodleian Library Broadside Ballads at Oxford does contain the 1839 railway ballad mentioned above (Johnson Ballads 3078). Revolution & Romanticism is the website of a private collection in Edmonton, Alberta, with historical ballads and chapbooks. Among the ballads concerning the law you will find for example A full and particular account of the execution of Mr. John Wait (…) (Bristol, around 1823).

In the Dutch Song Database of the Meertens Instituut, Amsterdam, you can search 140,000 songs ranging from the Middle Ages to modern times. The murder of count Floris V in 1296 was the subject of a famous historielied (history song), Wie wil horen een nieu liet / Hoort toe, ick salt u singen, “Who wants to hear a new song, listen, I wll sing it for you”), first printed in 1591. A whole section of the Nederlandse Liederenbank is devoted to moordliederen, songs about murders. When you search for example for songs about an advocaat, an attorney, you will find enough to meet them in very different situations. This database offers full access to a number of songs, gives the text of some songs, provides even recordings for others, but often only points to the printed edition or editions where a song text appears.

A quick search for German songs leads to the Deutsches Liedarchiv of the Universität Freiburg. This institution has created an online database, the Historisches Liederlexikon in which you can find a number of song texts and often detailed information about different versions, their reception and adaptation in later songs. Immer langsam voran [Always slowly forwards] was originally a song ridiculing the German fight against Napoleon in the years 1813 and 1814. It remained popular, was adapted during the Vormärz period around 1848, and again in the early twentieth century. The website of the Volksliederarchiv, presumably a private website, lacks supplementary information and is less well searchable, but is strong in presenting songs on various themes. The section Balladen und Moritaten brings you to a nice selection of songs.

Texts of songs and short poems from the German classical period around 1800 are found at the website Freiburger Anthologie-Lyrik und Lied, here again with extensive commentaries and various text versions. The famous song about the Lorelei sorceress, Zu Bacharach am Rheine, tells us about a bishop who summoned her to appear in his tribunal and her answers to him. The documentation of this song is a model of its kind. The mixture of a medieval setting, a romantic story, the seeming simplicity and Clemens Brentano’s poetic skills make this song special indeed, but I had rather not see it as a faithful picture of an ecclesiastical judge. Brentano’s ease in creating this scene is impressive, and it carries conviction, even when one would not immediately imagine a conversation between a sorceress and a bishop in an ecclesiastical court.

It is possible to enlarge this posting by bringing more websites to your attention. I would indeed have liked to include some French websites, but I did not readily succeed in finding a database which at least would equal the qualities of those projects presented here. In order to make up a bit for the gaps in this posting I will provide here some links collections which will help you to find more songs online, both in score and in sound recordings:

Because of this week’s torrential rains in my country it is no wonder why California makes today such an alluring impression when summer should bring nice weather! However, rainy days could give you time to look at the websites mentioned in this post. For California I would choose the Online Archive of California for its sheer variety and the Calisphere portal for its efforts to present many aspects of Californian culture and history.

The Legal Song

At the end I own you an explanation about the title of this post, The Legal Song. Somehow I hit upon this title, thinking it is the actual title of a song. “The legal song and dance” is an expression for elaborate legal negotiations. The internet brings you to legal movies, too, and yes, a few of them have a legal song. One of my search hits was really funny. Jim Henson, the creator of The Muppets, made a spin-off called Fraggle Rock in which a judge and all present sing a song at a trial. The title of his legal song? Sing That Law Again! I hope you enjoy this posting as much as the YouTube movie with this legal song. Hopefully this summer gives you some rest from legal dealing and wheeling, and brings you some time for legal history and some of its aspects that link legal culture to culture at large. I promise to reflect here longer on the theme of law and humanities in another post.

A postscript

On the day of the publication of this post, only hours before I published it, Klaus Graf pointed on his Archivalia blog to two digitized medieval manuscripts at UPenn Libraries with a song about the deposition of the archbishop of Cologne who got married in 1583. Penn in Hand: Selected Manuscripts offers a very useful selection of digitized medieval and Renaissance manuscripts, with fair attention to legal matters.

More broadside ballads

Sheer curiosity made me search for more digital collections with broadside ballads. The following selection presents sites with either bibliographies, useful links or even sound recordings of broadside ballads:

The Cardiff links selection is very rich. For no good reason I had overlooked the section for straatliederen, literally “street songs”, the Dutch version of broadside ballads, in the vast Dutch Song Database of the Meertens Instituut, Amsterdam. These songs can be searched using the interface at The Memory of the Netherlands. You can even listen to some of these songs. I have to mention again Klaus Graf and his blog, a treasure trove in the field of digitization, because he provides the link to the open access journal Oral Tradition where you can find much more on the study of ballads and the field of oral history.

It is not realistic to provide here an exhaustive list of digital collections concerning ballads. A substantial collection with newly digitized ballads is presented by Trinity College Dublin in its digital collections. This library thoughtfully adds that these ballads can also be reached online through the Europeana portal.