Medieval laws in translation

Languages can act as formidable barriers to our understanding of both past and present. Even if you happen to have a talent for foreign languages translations can help you in many ways to gain insight into the messages and form of a source. In medieval Europe many legal sources were written or only accessible in Latin. However, a number of medieval legal texts have been translated into the vernacular. In this post I want to look at a number of medieval translations of such sources and at two modern translation projects. Recent news about these projects offers me an occasion to write about this subject.

Medieval translators at work

In the Middle Ages translating the works of Aristoteles from Greek – or Arabic – into Latin formed probably the largest translation project of a millennium. The volumes with the scholarly edition of the Aristoteles Latinus project are still being published. For many scientific disciplines medieval translators took the trouble of translating important sources. In the field of law, too, one can point to translations. The most massive project, the Basilica, is not only a translation but also an adaptation of Justinian’s Institutes, his Digest, Codex and the Novellae. For some parts of the Justinian codification older Greek translations exist which the translators around 900 used in Byzance. A team at the University of Groningen led by H.J. Scheltema produced a modern critical edition of the text and the scholia, the accompanying glosses [Basilicorum libri LX (17 vol., Groningen 1953-1988)].

A very interesting example of a translated medieval legal text is Lo Codi, a legal commentary from the twelfth century originally written in Occitan, a language spoken in Southern France and Catalonia. Lo Codi has been translated in French, Castilian, Latin and Franco-Provencal. I wanted to check information about this text at the homepage of Johannes Kabatek at the Universität Tübingen. Since his move to Zürich this page has been removed, but luckily he has put them on his private website. At this webpage you can compare different manuscripts and versions. An article about Lo Codi by Kabatek from 2000 is also available online (PDF). Kabatek does show Lo Codi is an independent adaptation of the Summa Trecensis, and not just a translation.

Banner The Medieval Nordic Legal Dictionary

The first large-scale project I want to introduce in this post is The Medieval Nordic Legal Dictionary, a project led by the University of Aberdeen. Not only a dictionary will be the fruit of this project, but also translations of Scandinavian laws. Two volumes with translated laws have already appeared. A few years ago I wrote here about medieval Scandinavian laws, and it is surely helpful to be able to use these translations alongside the original texts. The page for laws of this project provides you with a quick overview of the main laws. the current editions and the planned or already published translations. The bibliography of the dictionary project shows that luckily for some texts translations appeared in the twentieth century, however, in a number of cases into current Icelandic, Norwegian, Danish or Swedish.

Some medieval legal texts have been translated in the sixteenth century. This month I saw an announcement for a lecture in Paris on April 6, 2016 by Patrick Arabeyre (École nationale des Chartes, Paris) on ‘Deux exemples de traduction vers le latin dans le domaine juridique : la traduction d’ordonnances royales par Étienne Aufréri (1513) et la traduction des Coutumes d’Orléans par Jean Pyrrhus d’Angleberme (1517)’ as a part of a conference on La traduction en vernaculaire entre Moyen Âge et Renaissance. The first subject of his lecture were royal ordinances edited by Étienne Aufréri in 1513, and he looked also at the translation by D’Angleberme of the Coutumes d’Orléans (1517). A second lecture by Frédéric Duval, also attached to the ENC, concerned the versions of Lo Codi. In April 2015 Duval presented a paper about French translations of the Corpus Iuris Civilis.

Nowadays the French Biblissima portal is a fine gateway to several projects concerning the production and transmission of manuscripts, and using the English interface it is very much accessible. One of the online databases at the École nationale des Chartes is called Miroir des classiques, “Mirror of the Classics”, a project in which Duval participates. Unfortunately this database does not yet contain any notice about translated legal texts, but eventually they will be included. How can one trace more medieval translations? For Ancien Français, one of the phases of medieval French, there just happens to be a resource that can help you. The bibliography of the Dictionnaire Étymologique de l’Ancien Français (DEAF) does lead you to a number of translations, many of them still only existing in manuscripts. The section C of this bibliography shows for example two thirteenth-century translations of the Code de Justinien. The entry at CodiFr mentions Lo Codi and states flatly this is a translation of the Codex Justinianus, a notice clearly in need of some updating. Under the letter I you will find both a complete translation of the Institutiones Iustiniani and an abridged version. Five manuscripts exist with a French translation of the Digestae. The Summa Codicis of Azo, too, exists in a French version, the Somme Acé. By the way, you can find a number of online dictionaries and textual corpora at the website of the Dictionnaire de Moyen Français. For the field of medieval canon law one has to single out the medieval French translation of the Decretum Gratiani. This translation has been edited by Leena Lofstedt, Gratiani Decretum. La traduction en ancien français du Décret de Gratien (5 vol., Helsinki, 1992-2001). I have not taken a complete tour of the sources of the DEAF, but it is certainly rewarding to look for yourself, and not only for matters concerning France. Anglo-Norman texts appear here, too.

Searching in manuscript catalogues will no doubt yield further results. A search in the digital catalogue for archives and manuscripts of the British Library brought me to ms. Royal 20 D IX, a late thirteenth-century French translation of the Authenticum and the Tres Libri, the books 10-12 of the Codex Justinianus. The database Manuscripta Iuridica at Frankfurt am Main contains for example for the French translation of the Institutes – usefully put together as Institutiones Justiniani, versio Gallica – references to thirteen manuscripts. The manuscript in London, too, has not escaped the attention of Gero Dolezalek and Hans van de Wouw, the creators of the Verzeichnis der Handschriften zum römischen Recht bis 1600 (4 vol., Frankfurt am Main 1972) used for the database, nor did they miss the French version of the Digestum Vetus, and the Infortiatum. For Azo you will find not only the translation of his Summa Codicis, but also a translation of his summa on the Digesta.

Twelve volumes and an addendum

Five years ago the last of the twelve volumes of the modern Dutch translation of the Corpus Iuris Civilis appeared. I wrote here a post about the presentation of the final volume in 2011, and in that post I looked also at other complete translations of the Corpus Iuris Civilis. On Friday April 15, 2016 yet another volume was presented at a symposium in Utrecht. Jop Spruit, the indefatigable founder of the project, translated with Jeroen Chorus also the Libri Feudorum, a twelfth-century text from Lombardy concerning customary law dealing with fiefs. Kees Bezemer wrote the introduction to this translation with facing Latin text. In my view the translators wisely choose to follow the version of the Libri Feudorum as found within the Corpus Iuris Civilis. One of the arguments to include this work on customary law into the curriculum of the medieval law schools was the presence of glosses by Accursius. The modern critical edition gives both the oldest and the most used version (Vulgata) [Karl Lehmann (ed.), Das Langobardische Lehnrecht, (Handschriften, Textentwicklung, ältester Text und Vulgattext, nebst den capitula extraordinaria (Göttingen 1896; online in the Internet Archive)]. However, more versions came into existence. At the symposium in Utrecht Jeroen Chorus gave a talk about possession in the Libri Feudorum. Dirk Heirbaut compared the feudal law in the Libri Feudorum, the Leenrecht van Vlaanderen and the Lehnrecht of the Sachsenspiegel. Rik Opsommer discussed the use of the Libri Feudorum in the practice of Flemish feudal law, and Kees Bezemer looked at the role of feudal law in Early Modern Europe with a focus on a case in seventeenth-century Germany which became the subject of a disputation defended at Frankfurt an der Oder. The best point of depart to start exploring Early Modern German juridical disputations is the digital library of the Max-Planck-Institut für europäische Rechtsgeschichte, Frankfurt am Main.

The team of Dutch translators hesitated about the right number of the latest volume in the series of translated texts of Roman law. Twelve is such a beautiful number suggesting completeness! They finally opted for 12 Addendum. The set of twelve volumes can still be ordered from Amsterdam University Press.

Until now I have looked almost in vain for other translations of the Libri Feudorum. The translation by Lorenz Weidmann, Die Lehensrecht verdeutscht (…) was printed at least seven times between 1530 and 1541. The German bibliographical project VD 16 does not only make such statements possible, but it leads you also to the digital version of the first edition Augsburg 1530 (Munich, Bayerische Staatsbibliothek). Robert Feenstra wrote about it in his article ‘Kaiserliche Lehnrechte. Die Libri feudorum in deutscher Fassung nach Alvarotus und andere Inkunabeldrucke zum Lehnrecht. Mit Beiträgen über Johannes de Vanckel und die casus summarii des Baldus’, Tijdschrift voor Rechtsgeschiedenis 63 (1995) 337-354. There is also an online version of a translation by Jodocus Pflanzmann printed in an incunabula edition, Das buch der lehenrecht (Augsburg 1493; GW 7776). The Gesamtkatalog der Wiegendrucke (Staatsbibliothek zu Berlin) has a useful overview of editions and partial editions before 1501 of the Corpus Iuris Civilis. GW 7654 is a French translation printed at Paris around 1486 of Justinian’s Institutes, interestingly made in verses. The identification of the probable author, Richard d’Annebaut, is also given in the bibliography of the DEAF with references to the unique manuscript source, London, British Library, ms. Harley 4777.

Discussing the Libri Feudorum is entering a territory where three decades ago things might have seemed straightforward. Things have changed very much since Peter Weimar’s article ‘Die Handschriften der Libri feudorum und seine Glossen’, Rivista Internazionale di Diritto Comune 1 (1990) 31-98, reprinted in his volume of essays Zur Renaissance der Rechtswissenschaft im Mittelalter (Goldbach 1997) 171-238, and the study of Gérard Giordanengo, Le droit féodal dans les pays de droit écrit. L’exemple de la Provence et du Dauphiné XIIe – début XIVe siècle (Rome 1988). I must refer you here to online bibliographies such as the one provided by the Regesta Imperii at Mainz to see how much has been written recently about the approach of medieval lawyers to feudal law.

Of course it is possible to use modern translations of medieval legal texts, but in this post I wanted to investigate medieval translations. For searching modern translation one can benefit from the Online Medieval Sources Bibliography which even offers filters for translations containing also the original texts, translations in English, French or other languages. It might be helpful to end here with briefly noting the publication of the revised edition of Fred Blume’s translation of Justinian’s Code edited by Bruce Frier [The Codex of Justinian (3 vol., Cambridge, etc., 2016)]. The German translation project for the Corpus Iuris Civilis reached in 2012 its fifth volume with the books 28 to 34 of the Digest, edited by Rolf Knütel [Corpus Iuris Civilis, Band 5, Digesten 28-34 (Heidelberg 2012)]. Let’s hope the leaders and translators of such projects will and can benefit from the recent Dutch experience in completing a book project with nearly nine thousand pages.

A postscript

Frédéric Duval will present in June 2016 a paper about the late-medieval translations into French of parts of the Corpus Iuris Civilis at a two-day conference in Tours, Les traductions médiévales à la Renaissance et les auto-traductions (Tours, June 8-9, 2016).

For the common good: International legal history and collective action

Every month there is a growing chance of encountering some kind of commemoration of historical events and figures. Sometimes these festivities are indeed an opportunity to look at them with fresh eyes, but often these occasions can seem too much of a good thing. In recent years there has been a proliferation of international days, some of them just a funny parody, for example on March 31 the sixth Hug A Medievalist Day! On April 14, 2016 it is the International Legal History Day. At least one university, Harvard, organizes today a seminar about the practices and challenges of doing international legal history. It seems Harvard Law School wants to launch this day as a new tradition.

In this post I will look at two initiatives dealing with a concept which touches many countries and regions all over the world. Commons are shared stretches of land used and owned by several people. Commons can be defined as a type of collective action. An international research project is at the heart of this post, and I will also look at a digital library which helps you to trace relevant literature about commons. One of the features of this post will be the combination of global phenomena with local examples transcending the boundaries of nations and states.

Sharing lands, goods and much more

Header Institutions for Collective Action

When I first saw the portal of Institutions for Collective Action (ICA) I was genuinely surprised by the all-encompassing umbrella used to bring a number of institutions under one denominator. Commons are perhaps the institution most quickly associated with collective action, and they will certainly fill much space here, but there is more. Merely contemplating what kind of actions you will define as collective actions is in my view already a fruitful exercise. Five types of collective actions figure at the portal: commons, guilds, waterboards, beguinages and co-operatives. The ICA portal cites on its homepage Bertrand Russell’s dictum ‘The only thing that will redeem mankind is cooperation’. Currently there is a set of case studies from eight countries for the five types, with 23 examples for commons, four for guilds, eight for waterboards and only two for co-operatives, and typically for beguinages six examples from the Netherlands and Belgium. The eight countries are apart from Belgium and the Netherlands the United Kingdom, Greece, Portugal, Rumania, Spain and Uganda. The cases from Rumania concern commons, the example for Uganda is a co-operative project for micro-finance. In fact there are more countries: in the section for guilds France, Italy, Germany and China are added.

One of the strengths of this portal is the comprehensive coverage of many aspects of research into institutions for collective actions, and thus you are really looking at a veritable portal. You can consult not only the case studies and general overviews, but also online bibliographies, glossaries, datasets and sources, and you might be interested in the announcements of scholarly events. The section with debates highlights a number of general and specific questions about the types of collective actions figuring on the portal. These questions will certainly help you to refine your own analysis. I found in particular the discussion of the various forms of institutions for water management illuminating. The perspective on Dutch institutions becomes sharper thanks to the comparison with Spanish institutions. I really learned here something also about the Dutch variety of these institutions and the need to look at them more closely. The page with links to related projects shows the context of this project in which scholars at Utrecht have substantial roles. An offspring of the ICA portal are several projects which work with crowdsourcing. Inviting the public to participate in research projects by transcribing or indexing sources is in itself a kind of collective action. The heading Citizen Science is fitting indeed.

Website Vele Handen and the Ja, ik wil project

At least one of them should attract your curiosity because of its legal nature, the project Ja, ik wil (“Yes, I do”) for the transcription of pre-marriage acts between 1578 and 1811 from the municipal archive in Amsterdam, a resource with much more information about people going to be married than you will find elsewhere. The transcribing portal Vele Handen (“Many Hands”) contains more information about the project (in Dutch). In its turn this project serves a much larger research project of the ICA team to compare marriage patterns.

Banner Digital Library of the Commons

The main organization dealing with the history and current situation of common is the International Association for the Study of the Commons (IASC). At the website of IASC, too, you can find an overview of online resources. Some years ago I already encountered the Digital Library for the Commons, a digital collection at Indiana University, but so far I had not started to place this initiative in a wider context. The digitized literature in this library deals with commons on literally every continent, even Antarctica, but not the Arctic region. The simple search mode, the advanced search mode and the filters for browsing are most helpful. In my view it is stimulating to look here, even if you do not quite find what you are searching for.

Although it is easy to expand the fairly summarized information presented here it might work better to keep this contribution shorter than usual. Environmental history is just an example that can be connected with studying commons. At the blog Environment, Law and History you can pursue this direction. Global legal history and comparative legal history do not appear here for the first time. The theme of international legal history deserves attention, and not just on one particular day every year, but the idea is surely valuable. When I started this blog I promised my readers to look for themes and subjects from around the world. There are enough countries, regions and landscapes about which I can write here. Perhaps it is more important to discuss them here not for the sake of completeness, but preferably and more interestingly in connection with the kind of problems and questions which belong to the world of legal history.

An age of lawyers and literature

Flyer The Age of LawyersThe power of words seduces every honest writer to do his or her very best to write in a unique way to convey what you want to say and to add to the expressive qualities of language and literature. Only seldom people succeed in achieving immortal fame and enduring influence on a living language. In this post I want to look at an author who conjured up scenes of unforgettable power using the language of his time in ways unheard of. In fact his works were in some periods considered too rough and therefore edited and censored. Together with the English of the Book of Common Prayer and the King James Version of the Bible the works of William Shakespeare still have immeasurable influence on the English language and culture.

Shakespeare’s works have the power to stir our emotions and imagination. Until today his portraits of English kings and their courts influence our views of English history and royal circles. No doubt this year’s commemoration of Shakespeare’s death on April 23, 1616 will bring a flood of activities and events. A few weeks ahead of the central day there is still a chance to look here in a more sober setting at some of the digital initiatives which try to shed new light on one of the greatest people in world literature. At least one of them, an exhibition at the Folger Shakespeare Library, Washington, D.C., focused on lawyers in Shakespeare’s age, but it comes into better relief surrounded by other projects of The Folger, and by a selection of recently launched online Shakespeare projects and digital projects dealing with Early Modern letters.

Surrounded by lawyers

Even without the Shakespeare connection the exhibition Age of Lawyers: The Roots of American Law in Shakespeare’s Britain is really interesting. The Folger showed the exhibition from September 4, 2015 until January 4, 2016, but luckily there is an accompanying virtual exhibit. The concept for the exhibition was developed in cooperation with the Georgetown Law Library, a library with early printed legal books in its own digital collection. There are four main sections, Legal LivesThe Great Courts, Law and Communities and The King and the Law. In contrast to usual virtual exhibitions it has not been placed in a clearly defined corner or subdomain of the website, but as a seemingly unconnected item on the Folgerpedia, the website of The Folger for general information. More remarkable is the absence of illustrations. It took me some time before reaching the list of exhibitions at this library’s website. You can only applaud the inclusion of transcriptions of several exhibition items, but they yet have to appear for the fourth section. The very heart of the exhibition is an extended introduction to the materials put on show, to be read side-by-side with the list of items.

The four sections of Age of Lawyers give us a good idea of the world of Elizabethan lawyers. The first section looks at legal education, the Inns of Courts and the various legal professions. The various royal courts are the core of the second section. In the third section legal practice comes into view, its impact on daily life and local communities. The last section shows a great variety of subjects around the central theme of royal power, from major figures such as Francis Bacon and Edward Coke to subjects as Magna Charta and the influence of English developments on early American law and politics, with for example attention to Thomas Jefferson. The wealth of materials put on show in this virtual exhibition is impressive, and it is even more interesting to see how many of them come from the holdings of the Folger Shakespeare Library. In my opinion this virtual exhibition gives you a very valuable introduction to the legal history of England in the decades around 1600.

Logo Shakespeare Documented

The Folger is one of the institutions contributing to a major virtual exhibition of documents from and about Shakespeare, Shakespeare Documented. Documents, archival records and manuscripts from such institutions the National Archives (Kew), the Bodleian Library, the British Library and the Shakespeare Birthplace Trust – and from a host of other institutions worldwide – make this exhibition into a real gem. It amounts to a digital collection divided in four main categories: playwright, actor and shareholder; poet, family, legal and property records, and his seventeenth-century afterlife. With 186 of the nearly 500 items the category connecting to legal history is the second largest category of this exhibition. More documents and transcriptions will be added this year. You can search at will using a free text search or preset filters. Shakespeare’s involvement as a shareholder is mostly shown in the conflict about The Globe. It is really not feasible to pick here even among the highlights an absolute must. For me this virtual exhibit is a bridge between only reading Shakespeare’s works or searching your way among the vast literature on him. It also is in a very real sense the connection and life thread between the major projects presented here.

Close to the sources

The Folger Shakespeare Library offers more things online worth exploring. Among its latest projects is Shakespeare’s World, a crowdsourcing project of The Folger, the Zooniverse project for crowdsourcing and the Oxford English Dictionary (OED). One of the objectives of this project is finding words that so far have not been included in the OED. People volunteering to cooperate can choose a genre to transcribe. At first the choice between recipes and letters seems a thing to wonder about, but recipes have not been among the resources used by the founders of the OED. Letters can show words less often used, new uses of words, and, perhaps more importantly for the aim of this post, they might show the impact of literary imagination. An apparent drawback is the lack of an overview of senders and recipients.

Private Libraries in Renaissance England (PLRE) is the Folger’s online adaptation of the printed version of this reference work. It is really a database that helps you to execute queries which you will want to check in the original edition. You can get a closer view of books from this period by looking at the section on bindings of The Folger’s LUNA image database.

Logo EMMO - EWaerly Modern Manuscripts Online

Another project is in the development phase. As for now Early Modern Manuscripts Online (EMMO) has not yet resulted in a separate website. Since 2014 a lot of workshops and events has been organized. You will find the links section particularly useful, with for example an overview by The Folger of links concerning Early Modern English palaeography and digitized manuscripts.

fdtlogo

For my brief introductions to some of The Folger’s own digital projects I use the overview in the Folgerpedia. Personally I would prefer to have this overview on the main website of The Folger, but I suppose we are dealing here with a kind of planetary system around it. The Folger has also prepared a dedicated website for Shakespeare’s works, Folger Digital Texts. For quick reference and easy access this collection is very welcome, even though scholars might want to have a version under PhiloLogic or similar linguistic tools. For this you can turn to Early Modern Print, a project of the Washington University, St. Louis, MO, and the Early English Books Online-Text Creative Partnership. You will find here tools to gain insights into changes in word frequencies, KWIC (Key Words In Context) and a N-gram browser. The very example of KWIC in this project shows results for the word slander, which might inspire legal historians, too, to have a look at it. This overview at The Folger of digital projects and tools, even the subscription-only resources most times only accessible at research libraries, is actually a splendid nutshell guide to the study of Renaissance England. The University of Chicago provides us with a special subdomain to use its Philologic technology on editions and adaptations of Shakespeare.

Lives and letters around Shakespeare

Banner Six Degrees of Francis Bacon

If lawyers played such a large role in Shakespeare’s life you will probably want to know more exactly which lawyers, and more generally which people were closest to Shakespeare. On my journeys around the web I found recently the website Six Degrees of Francis Bacon. The aim of this Anglo-American project is collecting and visualizing data which show you the Early Modern social network. After registration you can download data, and also add new data. Everyone can look at the visualizations or relationships. Bacon (1561-1626) was originally also trained as a lawyer. Even if a similar website could already exist for Shakespeare it becomes quickly clear that you can immensely benefit from using this website when researching Shakespeare’s entourage, especially when you fortify your results with the letters of the project for Shakespeare’s World and the virtual exhibition Shakespeare Documented.

Choosing Bacon is just an example of the many projects dealing with English letters and correspondents. The most generous portal to them is certainly Cultures of Knowledge: Networking the Republic of Letters, 1550-1750 (University College London). Perhaps its main offspring, and certainly one closely connected to the theme of this post, is the project Early Modern Letters Online under the aegis of the Bodleian Library, Oxford, where you can search directly in letters written in many countries. Some of the resources at Cultures of Knowledge stem from the Lives and Letters project developed and led by the late Lisa Jardine. Among its projects is the edition of the correspondence of Francis Bacon, the main resource behind Six Degrees of Francis Bacon. For those wanting to look at more online projects dealing with letters the overview at Digitizing Correspondence should quench a lot of your thirst, and you might also contemplate the examples of interfaces for these projects. If you add to this wealth the links page at Cultures of Knowledge you can start to investigate for yourself the epistolary culture of Early Modern Europe. Going back to the subject of this post it is the project for the letters of Edmund Spenser which comes close to the sphere of action of William Shakespeare.

Celebrating Shakespeare

How can one avoid the obvious things around Shakespeare and have a fresh look at him? The Folger has created its own list of quatercentenary online projects. When preparing this post I thought about the manifold activities of another American research library, The Newberry in Chicago. Among nearly fifty online educational resources you might have a look at three virtual exhibitions concerning William Shakespeare, Marriage and Family in Shakespeare’s England, Shakespeare’s Romans: Politics and Ethics in Julius Caesar and Coriolanus, and Shakespeare’s The Tempest and the Utopias of the European Renaissance, the last item providing me with a connection to my recent blog post about More’s Utopia.

Instead of going to one of the sections of library websites about their copy of the First Folio, an object for which the label Holy Grail seems almost too simple, it is possible to have a look at digitized First Quartos and to compare various editions. They bring you closer to the times of Shakespeare himself than the posthumous First Folio. However, if you had rather stay with a time-tested resource, there is all reason to visit the section Discover Literature: Shakespeare of the British Library’s website with for example an article by Liza Picard on crime and punishment in Elizabethan England. Andrew Dickson looks at the only existing literary manuscript with Shakespeare’s handwriting, The Booke of Sir Thomas More. The play contains a plea for tolerance towards immigrants, and I cannot help feeling touched by the poignancy of this subject. More was a man for all seasons, and Shakespeare is indeed a writer for all times! The play seems to have been never performed during his life. In the project England’s immigrants 1350-1550: Resident Aliens in the Late Middle Ages curated by the universities of Sheffield (HRI Online) and York in cooperation with the National Archives at Kew you can find out about 64,000 persons coming to England during two centuries.

Drawing of The Swan. London, by Buchelius

Drawing of The Swan theatre, London, 1596 – Aernout van Buchell, Adversaria – Utrecht, UB, ms. 842, fol. 132r – image: http://objects.library.uu.nl

The customary Dutch view shown here has in fact figured here in 2013, but without the famous illustration. The image has been used in countless printed publications. Aernout van Buchell (Buchelius) (1565-1646), an antiquarian scholar from Utrecht, copied a drawing around 1596 of The Swan theatre in London (Utrecht, UB, ms. 842, fol. 132 r). In my earlier post where I wrote about Buchelius you can find the links to more digitized manuscripts of this author.

Of course much more can be said, and has already been said this year. Today I looked briefly at the fine aggregator of Early Modern blogs created by Sharon Howard. If you follow her tag for Shakespeare at Early Modern Commons you will find already dozens of celebratory articles. Hopefully you will appreciate the urgent need to restrict myself here to only a few dozen projects. A search for Shakespeare at Early Modern Resources brings us ten online resources mentioning him. No doubt Sharon Howard will soon add a number of the new Shakespeare projects to Early Modern Resources.

However large and inviting the temptation to end here with one of the countless proverbial words of Shakespeare I had rather invite you to look yourself again and again at this writer whose works breathed life into the English language. His imagination both as a playwright and poet is at many turns so powerful that its glow will last as long people care for the right words which do justice to the humanity living in his works.

A postscript

One of the possible follow-ups to this contribution is looking in more detail at Shakespeare’s plays and the role of law. You can get a taste of this subject by looking at free accessible recent articles in the journals Law and Literature and Law and Humanities.

Images and the road to the French Revolution

After all attention given to texts from and concerning the French Revolution it is now time to turn to resources for digitized images from the eighteenth century. Texts about tolerance and its counterpart intolerance create – deliberately or inadvertently – images of targets, and also of cherished values and attitudes. Take Voltaire: he was a playwright, and apart from his obvious rhetoric talents we should acknowledge his ability to present matters in a dramatic way, to stage stories and bring them vividly before the eyes of the mind and into the hearts of his public. How to find French caricatures from his time, and what did Voltaire think himself about them? This post continues the series starting with Laws and the French Revolution and followed by Some notes on the history of tolerance.

Among French pictorial resources one of the best starting points is the image database of the BnF. You will encounter a rich choice of French historical images at the portal L’histoire par l’image, 1789-1939. Images from the nineteenth century with also five years of the century before it can be traced in the records of the French legal deposit at Images of France, 1795-1880, yet another ARTFL resource. The Joconde database enables you to search for images in the collections of French museums. Another major resource is the Bibliothèque numérique de l’Institut National d’Histoire de l’Art where you can also search for books, manuscripts and archival records. The Moteur des collections at Culture is a very useful meta-catalogue to French collections, even when filtering your search results is sometimes difficult. We encountered already the images section of the French Revolution Digital Archives, a vast collection that luckily is not strictly limited to images created since 1789. Some two hundred images can be found at Liberty, Equality, Fraternity: Exploring the French Revolution, a virtual exhibition of the Georg Mason University and City of New York University.

Looking at Voltaire

Saeculi Lumen - j'éclaire - anonymous copy after a silhouette by Jean 'Voltaire' Huber - London, Beritish Museum

Saeculi Lumen – J’éclaire – anonymous copy after a silhouette by Jean ‘Voltaire’ Huber – London, British Museum

Images of Voltaire himself are also part and parcel of virtual exhibitions such as those of the Bibliothèque nationale de France (BnF) in Paris about Candide (1759) and a similar one of the New York Public Library. The BnF has also a dossier about Voltaire and the collections about him at Paris at Saint Petersburg, with a useful list of works by Voltaire digitized at Gallica. At Trier, too, a virtual exhibition about Candide has been created. Yet two kinds of images are really hard to find online, caricatures showing Voltaire, and images of him using an almost archetypical technique of the late eighteenth century, the silhouette. One of the greatest masters of this art is directly related to Voltaire’s life, the Swiss artist Jean ‘Voltaire’ Huber (1721-1786). I have to confess that I had hoped to retrace a complete series of his silhouettes of Voltaire, but this is very hard to find. Tantalizing the image database of the BnF has two cartons from which Huber made a number of his silhouettes with Voltaire. Both the Château de Voltaire at Ferney-Voltaire and the Musée historique de Lausanne are currently closed for renovation. The collections web site of the museums in Lausanne brings me some paintings by Jean Huber, including the intimate portrait showing Voltaire in the early morning, the Lever de monsieur Voltaire. In the database of the Swiss Institute for Art Research I did find some silhouettes by Huber, but alas not his famous images of Voltaire. A more systematic search using the links collection of the Voltaire Foundation in Oxford brought me to the iconography section of the online bibliography of the Société des Études Voltairiennes in Lyon, but here, too, I searched in vain. The blog of the Voltaire Foundation is most interesting , but one has not added yet a search function. However, this institution provides us also with a good dossier on Huber’s painting La Sainte Cène du Patriarche (around 1772) for which sketches exist.

"Voltaire: Départ pour les Délices", drawing by Charles-Germain de Saint-Aubin - Waddesdon Manor

“Voltaire: Départ pour les Délices”, drawing by Charles-Germain de Saint-Aubin – Waddesdon Manor

It is only natural that Voltaire as a master of satire became himself the object of caricatures. On my legal history website I have included among the virtual exhibitions a number of image collections containing eighteenth-century caricatures, but it lacks a specific resource for the French Revolution. With some luck I found a wonderful online resource at Waddesdon Manor, Aylesbury, Buckinghamshire. The collections of this stately house were brought together by members of the Rotschild family. You can search directly in the Saint-Aubin collection with drawings by Charles-Germain de Saint-Aubin (1721-1786). Two of his comic drawings in the unique album with some 400 items called Livre de caricatures tant bonnes que mauvaises show Voltaire. In 2012 the digitization of this album was completed. It is surely surprising to find this rare resource among the more august objects of the collections at this location. In my view this album is a splendid source which enriches and changes considerably our views of visions on eighteenth-century France.

Finding old cartoons and caricatures

There is a great gateway to online collections of cartoons and caricatures at EIRIS, the Équipe Interdisciplinaire de Recherche sur l’Image Satirique. The very useful links section will bring you for example to a great list at arthistoricum of French creators of satirical drawings. The major drawback for me it is its focus on the nineteenth and twentieth centuries. The image section of the French Revolution Digital Archive contains ten satirical scenes among the nearly eighty pictures with Voltaire. You will find more than one thousand satirical scenes among the 13,000 images, and some 35 items mentioning or showing silhouettes. The search functions in the FRDA are indeed superior to those at the images website of the BnF, but the FRDA is restricted to the period 1787-1799. The BnF did its very best to provide FRDA with new photographs of relevant items.

One of the points worth noticing here is that French cartoons were already an established genre long before Honoré Daumier (1808-1879) started creating his famous drawings of French society. The title of the BnF’s virtual exhibition Daumier et ses héritiers is therefore somewhat misleading, even though admittedly his images of lawyers are among the most stereotyped cartoons of any profession. Dieter and Lilian Noack have created The Daumier Register, a database with an overview of Daumier’s work, and Brandeis University offers online some 4,000 lithographed drawings by Daumier. Another point is that a set of drawings or engravings in a particular collection can almost make a prolonged search for more general digital collections superfluous. The digitized Lexikon der Revolutions-Ikonographie in der europäischen Druckgraphik 1789-1889 (Universität Giessen) contains nearly 11,000 images with pictorial representations in European printed art of revolutions between 1789 and 1889, but more importantly it gives a theoretical framework to the role and importance of graphic images.

Let’s end here with a remark about digitized portraits: you might want to search yourself for other portraits of Voltaire. A large number of links to digital portrait collections has been put together on the website of the Trierer Porträtdatenbank.

For some readers the link with legal history in this contribution might seem very weak or simple absent! However, I would adduce here the fact how art can be a law to itself. Cartoons have a peculiar position between more elitist art forms and popular culture. Caricatures seize upon imagination, but surely are linked to facts and opinions, too. The role of law and justice in Ancien Régime France was a hotly debated matter, and this debate must have touched all kinds of contemporary media. One of the things meriting further research is the role of illustrations in French pamphlets and broadsides. A quick first search using the relevant digital collections for France list on my own page for digitized pamphlets did not yield anything, but my impression could be wrong. Perhaps one can extend such questions also to illustrated chapbooks – in particular the Bibliothèque Bleue de Troyes – and ballads. However, my habit to put too many subjects in a single post should not prevail again. Having here links to many interesting collections only one mouse click away should form an invitation to explore things yourself. In future posts you will encounter legal history again in its widest possible variety!

500 years Utopia

Quentin Matsys, portrait of Pieter Gilles

Portrait of Pieter Gillis by Quentin Matsys – Rome, Galleria Nazionale d’Arte Antica – source: Wikimedia Commons

This year I have succeeded so far in avoiding centenary celebrations, but some of them are definitely interesting from the perspective of legal historians. In 1516 Erasmus published his edition of the Greek text of the New Testament, the Novum Testamentum graece, with for us a remarkable title, Novum Instrumentum (…) (Basel: Johann Froben, 1516; VD16 B 4196; online for example at the Swiss portal e-Rara). Even with all its shortcoming this edition proved to be a starting point for many developments in scholarship and theology. Legal historians might prefer to leave the onset of the Reformation to church historians and theologians, but they will certainly not want to forget another book published in 1516, Thomas More’s Utopia (Louvain: Dirk Martens, 1516; more bibliographic details in the Short Title Catalogue Vlaanderen).

The flood of literature about More, his book and his circle make it almost impossible to look at it without preconceived opinions and views. Is it possible to say something new, something worth reading at all within the compass of a blog post? However you may think about this state of affairs, I would like to present one of the main figures appearing in More’s Utopia. Pieter Gillis was a humanist scholar who merits attention for his work in the field of legal history, in particular with his edition of a source for the history of Roman law, yet another book printed by Martens in Louvain. In fact, it is seldom noted at all Gillis was a trained lawyer, and thus certainly prepared for his tasks as the city registrar of Antwerp. He is not the only lawyer you will encounter here.

First editions from Louvain

Why should authors in the early sixteenth century turn to Dirk (Thierry) Martens (1446-1534) for the publication of their books? The Nationaal Biografisch Woordenboek has a fine article on him (vol. VI, col. 633-637). Martens printed his first book already in 1473 in his native city Aalst. He was among the earliest printers of the Low Countries. His first publication – published together with Johann of Paderborn – was a religious work, the Speculum conversionis peccatorum of Dionysius Cartusianus (Denis of Ryckel), a book digitized in the Flemish digital library Flandrica (GW 8420). From 1492 onwards Martens had his firm in Antwerp and since 1512 in Louvain, the only university town of the Low Countries. In 1491 he used for the first time in the Low Countries Greek type fonts. Printing the works students needed provided him with a stable market. Martens is even credited with promoting the use of the Roman type font. He was definitely a printer with some remarkable feats on his record.

Pieter Gillis (latinized Petrus Aegidius) (1486-1533) initially studied law at Orléans (1501). However, soon he became active as a corrector for the printing firm of Dirk Martens. Already in 1503 or 1504 he met Desiderius Erasmus, one of the authors coming to Antwerp to have his books published by Martens. In 1504 Gillis registered as a student at the university of Louvain, and in 1509 Gillis became the city registrar of Antwerp. In 1512 he got the degree of a licentiatus in law from the university of Orléans. Dealing with Gillis is indeed entering also the book trade of his time, one of the reasons I supply for the book titles in this post at least some bibliographical references. The NBW has a good biographical article on Gillis by M. Nauwelaerts (vol. I (1970), col. 4-7). A much older article in German by A. Rivier for the Allgemeine Deutsche Biographie can also be consulted online (ADB (1875) 125-126).

The road to More’s Utopia

Ambrosius Holbein, image with More, Aegidius and Hythlodaeus

Ambrosius Holbein’s illustration with the protagonists of More’s Utopia – edition Basel 1518, p. 25; copy Yale University, Beinecke Library

Before going to More’s Utopia I must acknowledge here the great assistance offered in writing this post by the very useful and extensive International Thomas More Bibliography of Romuald Lakowski. The story of how More came to write Utopia scarcely needs retelling. As a diplomatic envoy he met Pieter Gillis in 1515. The two men became friends, and one of the fruits of their meeting was More’s book. In the prologue of Utopia More tells about his encounters with Gillis and Raphael Hythlodaeus, the stranger recently arrived from Brazil whose stories are the very heart of his book. When preparing this post I wondered where people would have found the famous images taken from the first edition of Utopia, the image of the island and the Utopian alphabet. Surely this last feature came into existence thanks to the suggestions and expertise of both Gillis and Martens. Lakowski provided me with the link to a digital version of the first edition of Utopia at a library where you probably will not expect a copy, the Gleeson Library of the Geschke Center at the University of San Francisco. The digital books in this library cannot be found using regular online search tools such as the Karlsruher Virtueller Katalog and the Universal Short Title Catalogue (University of St. Andrews). Other early editions such as the one published in Paris by Gilles de Gourmont in 1517 (Gallica) and the famous edition by Froben (Basel 1518) can readily be found in various libraries, the latter for example in the Folger Shakespeare Library, Washington, D.C.

The Latin text of More’s Utopia can be searched in several ways. You will find just the text in The Latin Library, and a colourful version at the Bibliotheca Augustana of Ulrich Harsch, based on the version created at the Oxford Text Archive. For a linguistic approach you can benefit from the search functions offered in the version at IntraText. At first I would have preferred to leave translations out, and thus honour the principle ad fontes so dear to sixteenth-century humanists, but having a translation within your reach is most helpful. The first translation of More’s Utopia was the work of a legal humanist, Claude Chansonnette (Claudius Cantiuncula). Interestingly Cantiuncula (around 1493-1560) had been at Louvain before going to Basle where he published his translation Von der wunderbarlichen Innsel Utopia genannt das andere Buch (…) (Basel: Bebelius, 1524; digitized at the Bayerische Staatsbibliothek, Munich). Cantiuncula decided to translate only the second part of More’s book, not the first half. At this point it is most welcome to point to the bibliographical survey of people connected to Desiderius Erasmus, Contemporaries of Erasmus. A biographical register of the Renaissance and Reformation, [CE] P.G. Bietenholz and T.B. Deutscher (eds.) (3 vol., Toronto-Buffalo-London 1985-1987; reprint 2003). This work contains entries for Pieter Gillis (CE II, 99-101), Dirk Martens (CE I, 394-396) and Claude Chansonnette (CE I, 259-261), and of course for Thomas More (CE II, 456-459).

Among the modern German translations of Utopia the version of historian Gerhard Ritter (1898-1967) is still being reprinted. Ritter made his translation early in his career (1922). You can see in a post from last year my photograph of several pocket law books accompanied by the modern incarnation of Ritter’s translation which gives you also the Latin text.

A meeting of lawyers

Title page of Gillis' edition with the Epitome Aegidii

The title page of Pieter Gillis’ edition of the Epitome Aegidii – Louvain: Martens, 1517 – copy Munich, Bayerische Staatsbibliothek

The excellent website of Lakowski with its most useful bibliographies for many subjects concerning Thomas More and his Utopia taught me looking at legal matters around Thomas More is not something new. In this post I will just look at a few aspects. Let’s go back to Pieter Gillis who published in 1517 a number of sources in the field of Roman law. Dirk Martens printed his Summae sive argumenta legum diversorum imperatorum… Caii et Iulii Pauli Sententiis (USTC 403069; digital copy at the Digitale Sammlungen, Munich). The Latin title of his book is certainly long, but it does clearly indicate the constituing parts edited by Gillis. His work contains the editio princeps of the Epitome Aegidii, a shortened version of the Breviarium Alaricianum/Lex Romana Visigothorum, in itself a reworking of the Codex Theodosianus. The manuscript he used contained also a shortened version of Gaius’ Institutiones (Epitome Gai) and the Sententiae Pauli. Among the rare Early Modern editions of these texts is a very rare book by the famous Dutch book collector Gerard Meerman, Specimen animadversationum criticarum in Caii Jcti Institutiones (…) (Lutetiae Parisiorum: apud Merigot, 1747).

The story of Pieter Gillis’ edition is intriguing. What manuscript did he use? Surprisingly Marcel Nauwelaerts wrote in his article for Contemporaries of Erasmus about Gillis’ edition “of which is a manuscript is preserved in the library of the University of Leiden (MS BPL 191 ba)” (CE II, 101). Is there truly a manuscript once owned or written by Petrus Aegidius? Many manuscript catalogues at Leiden can be consulted online in its Digital Special Collections. The manuscript Leiden, UL, BPL 191 BA can even be viewed online. The catalogue entry by P.C. Molhuysen makes it very clear this manuscript belonged to Paul Petau who wrote a brief summary of the content on the flyleaf. It seems Nauwelaerts was too eager to find a manuscript connected with Gillis. The manuscript has also been described within the online project Medieval Manuscripts in Dutch Collections, but here, too, things are not completely straightforward. Searching for the Epitome Aegidii yields only the manuscript Leiden, UL, VLQ [Vossiani Latini in quarto] 119. When searching directly for BPL 191 BA you find it with as its title Epitome legis Romanae Visigothorum, which is in itself not wrong, but not complete either.

Finding out more about the Epitome Aegidii

Logo Bibliotheca legum

A few years ago Karl Ubl (Universität Köln) started the Bibliotheca legum, a project dealing with early medieval law in France. The project deals with many texts and a multitude of manuscripts, including those with Roman law texts and the early medieval codes conveniently known as the Völkerrechte, “laws of the nations”, because they were addressed to the populations of certain territories. The Breviarium Alaricianum, also known as the Lex Romana Visigothorum, is among them. The Epitome Aegidii, too, figures in this project, currently with thirty manuscripts. Here it becomes clear the Dutch manuscript portal should also refer to Leiden, UL, BPL 114, also consultable online. When you search for “Epitome edited by Aegidius” you will find it together with BPL 191 BA, but without Voss. lat. qu. 119. The Manuscripta juridica database at Frankfurt am Main uses the term “Lex Romana Visigothorum (“Breviarium Alarici”) (Epitome Aegidii)” and offers 25 manuscripts.

The Epitome Aegidii is also among the many subjects in the opus magnum of the late José Maria Coma Fort. His book Codex Theodosianus: historia de un texto (Madrid 2014) is also available online in the digital repository of the Universidad Carlos III de Madrid (PDF; 3,8 MB). Last year Faustino Martinez Martinez reviewed this book most approvingly for the online journal Forum Historiae Iuris. Here I can scarcely do justice to the efforts of José Coma Fort. He mentions Gillis at several turns and discusses his edition in detail at p. 371-375. He concluded the manuscript Gillis used is probably no longer extant. Coma Fort brings into relief the way Gillis’ edition was almost unknown until Meerman’s reimpression, and he looks in particular at the discussions concerning the Epitome Aegidii of humanist scholars such as Bonifacius Amerbach, Johannes Sichard and Johannes Cujacius. Did they willingly ignore the editio princeps? Even today it can be considered a rare book. One of the earliest general bibliographies, Konrad Gessner’s famous Bibliotheca universalis (Tiguri [Zürich] : Froschauer 1545; online at e-Rara) has an entry for Petrus Aegidius without his legal work (p. 543). The USTC has references to eleven copies. Using the Karlsruher Virtueller Katalog I could add copies at Lausanne, Vienna (ÖNB, online) and Heidelberg. The Vatican Library, too, has a copy. The tenacity of Wouter Nijhoff and especially M.E. Kronenberg in creating together the Nederlandsche bibliographie van 1500 tot 1540 (‘s-Gravenhage 1923-1971) comes only sharper into view for current scholars with so many resources within easy reach online. In their bibliography NK 15 is the entry for Pieter Gillis’ book, and NK 1550 deals with Martens’ edition of More’s Utopia.

Dirk Martens of Aalst printed at Louvain in 1516 yet another editio princeps, the first edition of the book on legal argumentation by a Dutch lawyer, Nicolaus Everardi (around 1462-1532), his Topicorum seu de locis legalibus liber, a work I studied for my Ph.D. thesis. In 2011 I presented here a post about the digital versions of several sixteenth-century editions of this book, incidentally one of my most often read posts. It is only fitting to revisit in the 200th post of my blog Louvain in 1516. At the end of this post I realize how I like to bring things together in one post. Hopefully you will not mind the way I led you here to such important resources as the Bibliotheca legum and José Maria Coma Fort’s great book on the transmission of the Codex Theodosianus!

A postscript

University College London organizes on June 30 and July 1, 2016 the graduate conference Imagined Worlds in the History of Political Thought, an event also in coniunction with the quincentenary of Thomas More’s Utopia. You can send a proposal for papers before April 15, 2016, by mail to conference@historyofpoliticalthought.net.

Messages on stones and histories in fragments

Banner Epigrafia 3-D

How can you make the memory of past actions last for later generations? In the Ancient World important matters were often committed in writing on stones. Studying inscriptions is one of the way historians dealing with Classical Antiquity approach their subject. Since the sixteenth century scholars versed in epigraphy, the study of inscriptions, help to gain insights into a vast subject which deals with three continents and roughly two millennia. Only a fraction of possible sources have survived, and thus it is understandable and necessary historians want to make the most out of them. Access to new resources and wider access to existing sources are most helpful in refining and re-adjusting our insights about this period.

Lately a number of online projects has come to my attention which bring ancient inscriptions closer to our century. You can do this in particular by just following the notices about epigraphy at the indispensable blog Ancient World Online of Charles Jones. Old editions have been digitized, new inscriptions are increasingly edited immediately in the digital domain, and some projects literally give us a wider view of these sources. A few years ago I already noted here a project sponsored by a Californian firm to present clay tablets from Mesopotamia in three-dimensional view. A Spanish project, Epigraphia 3D, dealing with Roman inscriptions in 3D-view prompted me to write here again about inscriptions. In some cases I will also look at other ancient sources, in particular papyri, but Roman inscriptions will be the main focus point.

Preserved in stone

Logo Hispania Epigraphica

The project Epigraphia 3D is the result of the combined efforts of the Universidad de Las Palmas de Gran Canaria, the Museo Arqueológico Nacional (Madrid) and the Museo Nacional de Arte Romano in Mérida. Even if your Spanish is rather weak navigating the website is easy. Two galleries with three-dimensional images of inscriptions form the heart of the project. The first gallery (Galería 3D MAN) for the archeological museum at Madrid contains 37 images, the second gallery (Galería 3D MNAR) shows nearly 60 images from the collections at Mérida. It is simply great to look at stones with inscriptions and to view them as if you were walking around them. Inscriptions mentioning slaves should remind you about an element of Roman society and law calling for particular attention. The variety of formats is in itself already a lesson widening your horizons. For every object the relevant epigraphical databases referring to them are mentioned. It would be a great service to have for each object direct links to these databases. However, you can at least use the link to its original location at the well-known Pleiades interactive map of the ancient world. For Roman inscriptions in Spain the main online resource is Hispanica Epigraphica (Universidad de Alcalá) with an interface in English, Spanish and Portuguese.

Epigraphy as a historical auxiliary discipline has long been dominated by scholars writing in German, French and English, and therefore a Spanish point of reference is actually very welcome. In fact there is even an impressive and extensive online guide (labeled Recursos) introducing you to epigraphy. The section with enlaces (links) will bring you to many of the more traditional online resources. Some of these projects try to cover not just Roman of Greek inscriptions. Trismegistos, a platform created at Cologne and Louvain dealing with papyri and materials restricted to ancient Egypt and the Nile valley, recently started covering also inscriptions from other regions. By the way, the list of the Trismegistos partners and contributors is another fine overview of the main projects for papyri and ancient inscriptions. The mighty Epigraphik-Datenbank Clauss-Slaby (EDCS) features now also a searchable map for Roman inscriptions all over Europe.

Logo Digital Epigraphy and Archaeology

The Digital Epigraphy and Archeology Project led by the University of Florida has as one of its aims creating a toolbox for making three-dimensional inscriptions from squeezes, paper casts of inscriptions. with a nice showcase of 3D images of various ancient and medieval objects. The other projects on this website are a virtual museum of world heritage with 3D-images, seemingly now filled with just one object, and a section on interactive classical theatre. My first impression is that of a pilot project, and in fact it made me search again for projects showing more results. i could fairly quickly find a very relevant example which uses the freeware Sketchfab technology, a 3D-image of the famous Law of Gortyn, a legal text cut into the stones of a city wall on the island of Crete. You can find the Greek text online in the Searching Greek Inscriptions database, and an English translation in Paul Halsall’s Ancient History Sourcebook (Fordham University).

A bird-eye’s view

Logo Europeana Eagle

Reading about maps helping you to trace quickly inscriptions all over Europe – in fact I spotted a number of them found within my own neighbourhood – wets the appetite for more. You would like to be like an eagle finding inscriptions everywhere! The Epigraphia project shows in its bottom banner a number of logo’s, unfortunately not directly clickable, and one of them is to the Europeana Eagle project, a new branch of the Europeana network with magnificent online portals for several major subjects and themes in European history. It is infuriating that Europeana fails to give a quick list to them at its galaxy of sites. I have looked here in two posts especially at Europeana Regia with manuscripts from the libraries of three medieval kings. Currently the Eagle project covers nine online collections, including Hispania Epigraphica, the EDCS and the Epigraphic Database Heidelberg (EDH). The EDH has a clickable map of Europe bringing you to specific regions. Eagle contains now some 300,000 items.

Somehow I must be a bit old-fashioned when I worry about not seeing immediately at Eagle any reference to the Corpus Inscriptionum Latinarum, but surely this has been connected to the main databases for searching Roman inscriptions. For those worrying about a too exclusive view at and use of inscriptions it is reassuring to see among the nine collections harvested at Eagle the Arachne database (Universität Köln) for archaeological objects. In my view Eagle scores with one particular feature, a mobile app for the two main platforms which enables you to view inscriptions in situ and check for their presence within Eagle. The app can even tell you whether Eagle contains similar inscriptions.

For scholars and everybody

Banner Ancient Lives

Greek and Latin can be formidable barriers to understand the classical world, yet the attraction of Classical Antiquity remains strong as ever. Precisely the inventive use of digital technologies has opened the world of classical studies to a much wider public. Interestingly the inverse connection, too, has started. Recently I encountered the crowdsourcing project Ancient Lives, a partnership between the Classics Faculty of the University of Oxford and the Zooniverse initiative. It is most remarkable that the Oxyrhynchus papyri collection (P. Oxy), almost the Holy Grail of papyri from ancient Egypt, should figure in a collaboration of classicists and the general public. Asking people to get involved in transcribing papyri is audacious indeed, even if you can see the appeal of this treasure to scholars worldwide. The Oxyrhynchus papyri is also one of the largest papyri collections. Nearly 80 volumes have been published for their critical edition. In view of the many aspects of creating this edition it becomes understandable to call upon people outside Oxford to help with one phase of the editorial process, creating reliable transcriptions which of course have to be checked and fortified by a critical apparatus. Imaging Papyri is the main project dealing with the Oxyrhynchus papyri.

On purpose I mention this project for papyri at Oxford, even if it seems to be a turn away from inscriptions. Exactly this effect can be viewed, too, at Oxford. There are at least two other epigraphical projects at Oxford I would like to include here. A focus on Egyptian papyri might almost blend out another project for sources from Egypt, the Corpus of Ptolemaic Inscriptions for the study of some 550 inscriptions and monuments with inscriptions. It is important to notice here the use of EpiDoc, an international initiative to develop a tailor-made version of TEI XML for publishing inscriptions online. With the Vindolanda Tablets from Northern England in the first and second centuries CE we encounter a resource particular close to daily life in a Roman province. The Vindolanda fort was situated south of Hadrian’s Wall. A concise virtual exhibition accompanies the online edition. The tablets contain not only complete documents and letters, but also drafts and school exercises. The presentation with at the left an image of a tablet, in the middle a transcription and at the right a translation is readily usable, and the search functions are most helpful. These tablets help you to look at Roman law in the context of daily life. They show encounters between the Latin culture and the peoples newly brought into the Roman empire or living at its borders.

A number of the websites highlighted here contain lists of links to other epigraphical projects, and thus you can easily expand my post to look beyond my personal interests. To round off my tour of projects I would like to look briefly at two other British projects dealing with inscriptions in regions where their very survival has become a matter of grave concern. King’s College London has created websites for the Inscriptions of Roman Tripolitania (IRT) and for the Inscriptions of Roman Cyrenaica (IRCyr), regions in modern Libya, a nation with currently almost no functioning state, where ancient monuments a prey to rivalling armed groups.

Histories in fragments

Lately I looked at the project portal Fragmentary Texts which aims at bringing together research concerning lost texts from Antiquity and their afterlife in fragments. The links section of this portal gives you a nice overview of various projects dealing with the fragments of ancient authors. One of the reasons this project resonates for me is the fact that the study of legal history in ancient times also very often deals with fragments. Complete texts are actually exceptional. We might forget that for example the Twelve Tables, the praetorian edict and the texts of classical lawyers are mainly known from reconstructions. The textual transmission of Justinian’s Digest is nearly complete, but in its turn it contains enough elements of elder texts to allow scholars to reconstruct such texts which no longer exist independently. Only since two centuries we have a complete text of Gaius’ Institutiones when a palimpsest manuscript was finally discovered in Verona.

Inscriptions can help completing ancient texts or show a different textual transmission. Graffiti in Pompei sometimes help scholars to find the right wordings of famous quotes from literary texts. When you study Justinian’s Digest and Code you will note the inscriptiones, the preliminary references giving the names of consuls or the reference to the work of a classical lawyer. The very word inscriptio might remind you to look beyond manuscript sources, and to study law also in relation to its role in society. Reading for instance about the special inheritance rights of Roman legionnaires who had served many years with the Roman army, something linked with the concept of the peculium castrense, comes much more into life when you can look at military diplomas and inscriptions bearing witness to their lives and activities. Instead of only admiring such objects in a museum or knowing about editions of the texts engraved on them it is now possible to connect your own research and interests with them on many levels.

Let’s end here with pointing to three blogs. Two blogs of the Hypotheses network deal with ancient epigraphy, the French blog Épigraphie en réseau of the EpiDoc project, worth reading even if not updated seriously since 2012, and the Spanish blog e-pigraphia: Epigrafia en Internet, very much kicking and alive. Current Epigraphy is another blog that you might want to consult to keep up with developments in an old but vital part of Classical Studies. Studying inscriptions from other periods is of course also a most interesting theme, but here I prefer to remain close to Classical Antiquity.

A postscript

Both for those who think my post was too short and those who think it was (again!) too long follow here for your benefit and quick reference some of the newest additions about epigraphy at Ancient World Online: the Claros database (Madrid) with a concordance for Greek inscriptions, Axon; Silloge di Iscrizioni Storiche Greche (Università Ca’Foscari, Venice) the projects at Berlin for the Inscriptiones Graecae (IG) and Inscriptiones Christianae Graecae (ICG) with Christian inscriptions in Greece and Asia Minor, the Inscriptions of Israel / Palestine (Brown University) and even some of the latest issues of the Année Epigraphique in open access. All of them would perfectly suit another post on epigraphy. I should have pointed also to the digital library of the Institute for the Study of the Ancient World (ISAW), New York, home to the AWOL blog, and at at the very least I can give here a link to the digitized publications about ancient law and inscriptions.

On March 10, 2016, Sarah E. Bond published Epigraphy Enchiridion, a post on her blog about online handbooks and guides for Greek and Latin Epigraphy.

The power of words: Some thoughts about Umberto Eco

Image of Umbert Eco - photographer unknown - source: Wikimedia Commons

Umbert Eco – photographer unknown – source: Wikimedia Commons

The death of Umberto Eco (1932-2016) makes the world mourn a most versatile author. In fact you might do him justice by seeing him almost as a true uomo universale. In his writings, both his scholarly work and his novels, the thing resonating within you long afterwards was and is the encounter with a mind full of curiosity about the world, culture and life at large. As a small contribution in remembrance of a great intellectual I will look here at a few aspects of a period close to his heart, the Middle Ages. With The Name of the Rose Eco did not only write a great detective novel and a philosophical treatise about visions of reality and truth, but he returned in a way to the territory where his career started. This novel is marked by elements of law and justice, reason enough to have a look at it here.

A story in black and white

Eco’s great story, set in the early fourteenth century, has not just one central narrative thread, the quest of William of Baskerville and his assistant Adso of Melk to solve crimes and the mysteries surrounding them. The Name of the Rose is also a book about confrontations between old and new ways of thinking and action, and of strife even between people at both sides. The Franciscan William of Baskerville meets a formidable opponent when the Dominican friar and inquisitor Bernard Gui arrives on the scene of the monastery in Northern Italy. Both religious orders came into existence shortly after 1200. They almost fought each other to receive able men into their ranks. The different ways of living and preaching inspired them to outshine each other. Now Bernard Gui (around 1262-1331) was a historical figure. Interestingly he was not only the most famous inquisitor of his time, but also a very active historian of his order, see A.-M. Lamarrigue, Bernard Gui. Un historien et sa méthode (Paris, 2000).

Cambridge Uniersity Library, ms. Ff 3.18,fol. 1r

Thomas Aquinas, Summa Theologiae, start of II-I; England, circa 1320-1340 – Cambridge, UL, ms. Ff 3.18, fol. 1r – image: Cambridge University Library

800 years ago the Dominican order was founded. Part of the worldwide jubilee celebrations is the virtual exhibition A pipeline from heaven: eight centuries of Dominican books created by Cambridge University Library. Among the manuscripts shown in the online gallery you can find the Summa Theologiae, the major work produced by Thomas Aquinas. I searched in this exhibit in vain for the inquisition and Bernard Gui, but let’s first remember how Eco started as a scholar with writing about Thomas Aquinas. Eco’s Ph.D. thesis dealt with the views on art of this Dominican philosopher and theologian. Aquinas wrote many of his works using the scholastic method of distinctions using questions and answers. Argument after argument is dissected in a seemingly cool and calm way. Personal views or involvement seldom surface. Eco succeeded in pinpointing Aquinas’ views of art in his discussions of perception, contrary to the opinions of eminent scholars such as Étienne Gilson and Jacques Maritain. Once you realize this, it is easier to see how this discovery influenced Eco’s later scholarly and literary works.

When William of Baskerville reads and explains the telling signs which contain clues to unravel what happened at the Benedictine monastery infected by crime, Eco knowingly plays with scholarly views of medieval and modern philosophy. Using and focusing on signs was for some time the very heart of the vogue for microhistory. The Italian word connected with the microhistory paradigm is spie, traces. Eco was virtually the founder – together with Roland Barthes – of semioticsthe theory of signs, their meanings and relations. In the thirteenth century a number of Dominican friars set out to write both manuals and encyclopedias covering all kinds of knowledge. Very soon the papacy realized that their deep theological knowledge made these friars fit to become inquisitors. Bernard Gui himself wrote a manual for inquisitors, edited by Michel Mollat, Bernard Gui. Manuel de l’inquisiteur (Paris 1926, reprint 1964; Les classiques de l’histoire de France au moyen âge, 8-9). Gui made notes and instructions and carefully documented his activity in the Languedoc in another manuscript [Le livre des sentences de l’inquisiteur Bernard Gui (1308-1323), Annette Pales-Gobillard (ed.) (Paris 2002)]. David Burr (Virginia Tech) has translated a number of the texts in this edition, in particular Gui’s views on detecting heresy. Gui mentions among other heretical matters the views on poverty of the Franciscan writer Petrus Olivi which figure in Eco’s novel, too.

As part of the Dutch jubilee celebrations of the Dominican order the journal Tijdschrift voor Geestelijk Leven [Journal for Spiritual Life] published a special about Dominican history [Het hart op de tong. 800 jaar dominicaanse verkondiging (TGL 72/1 (2016)] with an article by legal historian and theologian Daniela Müller (Radboud Universiteit Nijmegen) on Bernard Gui (pp. 27-35), summarizing in Dutch at the same time a part of her recent research about medieval heresy and the position of women. Müller writes Gui served his order also as a procurator generalis at the papal court in Avignon, and even became involved in the canonisation of Thomas Aquinas. He also acted as a papal nuntius. Müller’s recent research about Gui’s protest against the decision of pope Clement V compelling bishops and inquisitors to work together is real news (see her article ‘Der Bischof und der Inquisitor’, in: Ketzer und Kirche. Betrachtungen aus zwei Jahrtausenden, Daniela Müller (ed.) (Münster 2014) 237-262).

For Bernard Gui words and views did not stand independent of beliefs and practices. You might say he read the views of people as signs of religious convictions and adherence. He outright connected particular expressions with heretical views, even if he had not yet asked specifically about the latter. Eco succeeded most powerfully in showing one of the major faults of the inquisitorial procedure, the combination of the function of persecuting officer and judge in one person. Is it a play on his own name – Eco means echo in Italian – that the other main character in The Name of the Rose, Jorge of Burgos, the monk killing so many of his brethren, also acted as a staunch persecutor of new views and a terrible self-appointed judge? Eco would have spoilt his novel by placing the motto Only connect used by Virginia Woolf at the start of his first novel, but surely this is the most concise clue to his book.

The joy of writing and sharing knowledge

Banner Index Translationum

Eco involved himself in Italian life and culture with his own column for a newspaper and regular appearances on television. In a number of his books, for example about the history of beauty, he left behind him his familiar territories of medieval history and current philosophy, and reached out to a much larger audience. Among these books I personally most like his work touching on the history of language research, La ricerca della lingua perfetta nella cultura europea (1993), translated into nearly twenty languages, as you can check in the Index Translationum of UNESCO. The history of the search for the perfect language brought Eco in many cases to authors expressing their own theory about the original language of humanity. Even Dutch was in the seventeenth century sometimes presented as the language spoken in Paradise! Having started with studying the world where Latin was the lingua franca this subject certainly made Eco smile. His command of European languages made him the ideal author for this theme.

I first read The Name of the Rose as a student of medieval history. Although I did find at first his proliferation of extracts from medieval authors close to going through an overturned card file I had no doubt whatsoever of his skills as a great story-teller. The joy of writing and sharing is visible everywhere in his writings. Since I first read this book I have reread it several times, and my admiration for it has grown. While writing this post I noticed how many tags I can use for classifying my musings about Eco. We are lucky to see in Umberto Eco someone defying normal classifications. He was a great scholar, and even his faults and flaws have turned into art. Few scholars have been as candid and full of humour as Eco about his own mistakes. Nobody is perfect, but Eco’s legacy will continue to help us perceiving signs, detecting hidden perceptions and connections. He makes you transcend the world of books and marvel at the Book of the World.