Earlier this year I looked here at the portal Medieval Digital Resources, and even though I did not mention them, I looked there for the presence of particular telling objects. When I discussed here in January a new project concerning charters in Dutch archives one of the questions about this database is the visibility of and attention to seals. Lately I noticed there is a substantial number of recent projects around medieval seals. Two recent publications help to view seals in a larger setting than your sight suppose at first sight. Seals represent also legal power, and the images on seals should have a niche in the field of legal iconography.
Seals make connections
Searching for a fitting image for this post I decided to put here an image of a seal fixed to a charter held at Utrecht by Het Utrechts Archief. The seal shown shows the figure of count William II of Holland, the only Dutch Roman king (1248-1256). A quick search in the Digitale Charterbank Nederland brings you at first to some twenty charters issued by William, only nine of them with images. In a few cases his seal has been disfigured by the way it was fixed to the charter. William’s charters figure in the oorkondenboeken for the diocese Utrecht and the county Holland, the critical editions of charters for these regions, and they have been edited by Dieter Hägermann, Jaap Kruisheer and Alfred Gawlik, Die Urkunden Heinrich Raspes und Wilhelm von Holland 1246-1256 (MGH Diplomata, Die Urkunden der deutsche Könige und Kaiser, 18; 2 vol., Hannover 1989-2006).
Let’s turn to the two new books. The book edited by Laura Whatley, A companion to seals in the Middle Ages (Leiden 2019) is actually a volume of essays on several themes around and with seals. Its price can seem formidable. In the same series Reading Medieval Sources appeared in 2019 a volume on Money and coinage in the Middle Ages, Rory Naismith (ed.) (Leiden: Brill, 2019) which can be viewed online in open access.
The second book to mention here is the volume Seals – Making and Marking Connections across the Medieval World, Brigitte Bedos-Rezak, (Leeds: ARC Humanities Press, 2019), available in hardprint and as an e-book. This book, too, comes at a very substantial prize. However, you can download the introduction.
Instead of speculating about the policies behind the prizes of these works it is perhaps wiser to start with a tour of websites devoted to medieval seals. The presence of the international network SIGILLVM is a natural point of departure. This website provides basic information about research before and after 1800. In fact there is a concise PDF by Brigitte Bedos-Rezak on research perspectives. There is a section about collections of seals in archives and museums and also a section for seals created by individual persons.
The Sigillvm network does not provide a section with web links. The number of blogs about seals is a surprise. I might as well start with projects and websites in France. At the ARCHIM portal, the showcase of the French national archives, is a section with seals from Burgundy. The Bibliothèque nationale de France has created the blog Trésors de cire [Treasures in wax] where you can find among others things bibliographies about the conservation and restauration of medieval seals. In the Sigilla database you can find digital images of seals in French collections. The database can be searched for themes such as seals of for example Cistercians, the corporations of Bruges and the bishops of Paris, and for major collections, including those with seal impressions and casts of seals. SigiAl is a blog dealing with seals in the Alsace and Upper Rhine regions, territories with a place both in French and German history.
In Germany you might start with having a look at the Siegelblog with the subtitel Sphragistik als historische Hilfswissenschaft, sigilography as a historica auxiliairy science. The blog Verkörperung kommunaler Identität [Embodiment of communal identity] brings you clearly into the fields of legal history. Seals held at the Stadtarchiv Speyer are the focal point, and in particular the impressions made by fingers on the back of seals. Some seals have another seal on the back, but the beautiful seal of the city Speyer showing the mighty cathedral show also fingerprints. We will follow this track later on. Christian Lohmer has created a digital collection of casts held at the Monumenta Germaniae Historica in Munich, mainly for seals of German kings, emperors and princes. The digital collection links as far as possible for each seal to the work of Otto Posse, Die Siegel der Deutschen Kaiser und Könige (5 vol., Dresden 1909-1913), digitized at Göttingen. The Historische Kommission für Niedersachsen und Bremen has created a database for the Welfensiegel, the seals of the House of Welf, one of the oldest still existing aristocratic families in Europe. The database contains currently some, 1,450 seals.
From Austria comes the project Siegel der Bischöfe der Salzburger Metropole [Seals of the bishops under the metropolitan see of Salzburg], a title meaning seals of the bishops within the archdiocese Salzburg and the archbishop himself, too. Thus you will find seals from the dioceses Gurk, Chiemsee, Seckau, Lavant, Innsbruck and Feldkirch, all in all some 750 seals.
Among the projects from the United Kingdom the Imprint Project clearly beckons for attention. This projects aims at studying the fingerprints in multiple perspectives. They show not only the process of sealing charters, but also the ritual side of signing. The history of using fingerprints for identification and the development of methods for data capture are addressed by the project team. You can follow its activity also on the aptly named blog First Impressions. Durham University has created both a virtual exhibition about seals of Durham Cathedral and a catalogue for medieval seals with digitized images. While writing this post I looked in disbelief at an empty collection guide to seals at the website of the British Library. Seliau / Seals in medieval Wales is a virtual exhibition of the National Library of Wales, with an accompanying blog, Exploring Medieval Seals. You can download the exhibition catalogue Seals in context. Medieval Wales and the Welsh Marches (PDF). The Berkshire Record Office in Reading has created the virtual exhibition Small Objects of Power introducing you to and showing medieval seals.
Let’s end this tour with some projects around the Mediterranean. El Sello Medieval is an already longer existing virtual exhibition about medieval seals, created by the Archivo Histórico Nacional in Madrid. The second website is the home of the project Sigillvm. Corpus dos selos portugueses, a website you can view in Portuguese, English or French. Apart from project information and the database with an inventory of medieval seals in Portugal there is a small digital collection of recent relevant literature and a bibliography, and in particular a generous links selection. The inventory can be accesses only in Portuguese, but you can search with terms (Termos usados). Alas the section for virtual exhibitions is empty.
Of course basic guides to sigillography – sometimes the term sphragistics is used – have been around online now for two decades. The links collection for this theme at the portal Historische Hilfswissenschaften at the Universität München is still useful. You can consult online a PDF of the Vocabulaire internationale de la sigillographie (Rome 1990). Sometimes seal matrices have become objects of art, but more often personal seal matrices have been destroyed when their owners died. The survival of originals seals, the creation of seal casts and the interest to collect these combined with the study of matrices make the study of seals a field with several layers. The web directory of the Portuguese Sigillvm project is a fair attempt to present links for a variety of collections.
The approach of the Imprint project and the project at Speyer which bring fingerprints into view open questions about seals in a new way. Legal historians can note how modern forensic expertise can be applied also to historical materials. Who handled seals and matrices? Is the very act of sealing not just as important as attaching a beautifully looking seal which can indeed make an impression on contemporaries and future generations? It is only natural that disciplines such as semiotics, the study of signs, and cultural anthropology look rather differently at seals than medievalists, art historians and legal historians usually do. Visual culture, politics, government and art come together in seals. If my post looks as part of an object lesson in approaching seals as signs and objects – with not just a front side but also other telltale elements – my brief tour here serves its goal.